Sir! No Sir!

A Marine officer leads a rescue mission through the Vietnamese jungle to rescue his brother, a doctor who has been taken prisoner by the Viet Cong.

A U.S. Marine Corps pilot is shot down over the Vietnamese jungle. In his endeavor to get to safety, he meets a female guerrilla fighter and a nationalist named Hong.

Melodrama set in South Vietnam in the 1960s. Krueger (Bramhall), a former infantry lieutenant, is imprisoned at Quai Dong, on the South China Sea, for refusing to fight. After a year at hard labor, he is told to use his Vietnamese language skills to question a Viet Cong suspect. The prisoner is drugged and tortured during the interrogation. Krueger eventually stops the torture by pretending that the prisoner has disclosed the location of a supply dump.

After fifteen years of unconventionally kinetic stage antics (sometimes involving fire breathing, on-stage raffles, and a guy named "Dirty" who was essentially the band's resident cheerleader), the band gave their bittersweet farewell performance for an army of costume-clad fans - some of which even flew in from other countries - on their favorite day of the year to perform, Halloween. And here you have it, the band's final live performance from San Diego's Westin Hotel Ballroom, marking the end of an era and the affirmation of their cemented presence in the slightly emptier world of rock n' roll. Filmed Oct. 31st 2005 in San Diego, CA.

A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.

An insightful short documentary about eight young filmmakers, just out of film school who all have a romantic outlook about Cinema but are equally aware of the challenges of the real world of film making. This little film captures these beautiful young filmmakers at their most candid selves.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

Banished from his racially-charged Florida town, African American basketball star Kevin Bradshaw was homeless before getting called to play professionally in Israel. There, he fell in love with a woman-and a country-and would discover the strength to see his family for the first time in twenty years.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

ḤARAM is an essay film portraying the urgent contemporary situation at the Haram Al Sharif/ Noble Sanctuary in the Old City of Jerusalem reflecting on the growing Temple Mount Faithful movement whose goal is to build the Jewish Third Temple on this holy landscape and in turn to assert Jewish sovereignty over this holy Muslim site.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”

Anna, Pina, Teresa reinterprets the pivotal scene in Rossellini’s “Roma Città Aperta” where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police. This scene is characterized by three movements performed by Magnani — resistance, running and falling. Filmed in the Sala Scherma at Foro Italico in Rome (Mussolini’s fencing studio designed by Moretti) Anna, Pina, Teresa examines the contemporary and historical dynamics between an urban Fascist space and movements of resistance.

A disk jockey goes to Vietnam to work for the Armed Forces Radio Service. While he becomes popular among the troops, his superiors disapprove of his humor.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.

In March 1970, a U.S. Army officer arrived at the Iowa farm of Peg and Gene Mullen and informed them that their son Michael had been killed in Vietnam by "friendly fire." Their determined attempts to learn more about the circumstances of their son's death are the subject of this true account film.

A US Fighter pilot's epic struggle of survival after being shot down on a mission over Laos during the Vietnam War.

A group of Vietnam War veterans re-unite to rescue one of their own left behind and taken prisoner by the Vietnamese.

E42 is a cinematic exploration of the area in Rome knows as the EUR, a modernist landscape that was originally designated by Mussolini as the the site of the World Fair of 1942 and as a celebration of the 20 year anniversary of Fascism. Originally designed as a monumental space for public performance and collective acts of solidarity to the Fascist regime, this landscape was in fact never inaugurated. After the war, the 420 acre area was recuperated and today projects a timeless aura of an unfinished and temporary, empty and silent, monumental and imposing as well as an ephemeral landscape.

Thirty years on from Vietnam, a government official is trying to track down soldiers who went missing in action, in the hope that it may lead her to her father. Meanwhile, a war veteran is forced to relive painful memories of how he was left for dead by his own platoon, and the heinous crimes he once committed while in the line of duty.