Christmas at Moose Factory

A peaceful path with grass along the sides is disturbed by a man that is running and screaming.

A young Malay girl is separated from her mother at a Pasar Malam (night market) and meets a cat who brings her deep into the underbelly of the bazaar where fantasy meets reality.

A story of solitude, serendipity and kindness during a perennial late afternoon downpour in the heart of the city as two souls try to find their way home in the rain.

An innocent friendship that blossomed between bookshelves of the old National Library that grew into a love story that would find its way back decades later in search of memories amongst little red bricks.

A look at life’s bittersweet simplicity as we follow a boy and a girl from childhood to old age with their years marked by Singapore playgrounds from days gone by.

A spiritual prequel to 2015's 'The Violin', this 5-min short film once again takes viewers back to the old days of colonial Singapore, this time in the mid-1800s when emigrants arrived in droves after Singapore became a free port.

In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.

Osas and her friends are in traffic at Falomo when Aunty Yuwa calls. The conversation that follows touches on family, religion, social identities and same sex relationships. Created by Opemipo Aikomo and Daniel Orubo.

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"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In the course of Alaide Foppa's life, she became a precursor of feminism in Mexico. She was an immigrant who, in her own way, tried to break the molds established by her upper-class upbringing. Her sensitivity and intellectual development made her question matters of social injustice, educational and gender inequalities, the importance of socially-committed art forms and the vindication of democracy throughout Latin America. Her tragic end reveals much about the history of Guatemala.

One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.

Animator Faith Hubley recounts her life from childhood to the present day.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Focused on an inspiring and touching dialogue between Gilles Vigneault and Fred Pellerin, the documentary tells the story of Quebec by digging deep into an ancestral tradition etched into our cultural DNA: the production of maple syrup.

As Hélène Cixous would say, we precisely live in this time when the conceptual basis of an age-old culture is being undermined by millions of moles of a species never seen before.

An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.