Fragments of the House of Usher

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

A visual essay on contemporary Kiwi architecture.

Television was invented as a result of scientific and technical research. Its power as a medium of news and entertainment altered all preceding media of news and entertainment

Reminiscences of a trip to Čáslav

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A street in downtown Warsaw transforms into a kaleidoscopic portrait of Polish society. Behind the viewfinder is an Indian immigrant, who seeks to overcome the boundaries between himself and an anxiety-ridden country.

In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

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A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Berkay Özdinç turns the ghost hotel into a protagonist, which conduces to the meeting of his parents and is thus associated with his existence. In the film which goes over the places, while wandering in the current state of the hotel, he reawakens the memory of the place with his parents’ narration.

Within photographs that are not their own, a body discovers it has always been part of another.

A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.

Twenty-five films from twenty-five European countries by twenty-five European directors.

"No Refunds" is a visceral, tangled descent into the transactional dynamics of intimate encounters, told through the language of bodies, sheets, and reflections, where the purchase of queer sex work is laid bare. As the filmmaker simultaneously takes on the roles of client and audience, the boundaries between documentary and performance fade, unraveling the artifice at the heart of sex work and the act of filmmaking.

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.

A variety of storefront mannequins look at, contemplate on, and talk about public space.

Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.

In a world bedazzled by intractable images, do we need the essay film now more than ever? Kevin B. Lee weighs up this distinctively self-aware, searching form of cinema through both video and text.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.