I Recognize You, Yet You Feel Strange

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

Pictures taken between France and Mexico running at 8 frames per second.

In 2010, an obsessed gamer designed the perfect game of Sim City. Achieved through a repeating pattern of clustered high rises, “Magnasanti” exposes the hellish consequences of top-down civic design. In his new documentary, John Wilson explores how New York City is creeping closer and closer to realising this fictional metropolis.

The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.

An oneiric moment in the contradictory sensations that arise when experiencing the COVID-19 pandemic.

"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.

A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.

A documentary interview with Khookha McQueer a queer visual and performing artist, non-binary transgender activist. Active in raising awareness of the rights of people living with HIV. Discussing her personal experience, sexual health and people living with HIV’s condition in Tunisia.

A short film documenting street protests against the filming of William Friedkin's Cruising (1980)

This work is a representation of the deterioration of the first love of Nakano Eiji. He uses a psychedelic effect to represent the deterioration.

"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."

a poem. trees. fragments of fritz. love—and nothing besides!

From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.

An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.

Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

A street in downtown Warsaw transforms into a kaleidoscopic portrait of Polish society. Behind the viewfinder is an Indian immigrant, who seeks to overcome the boundaries between himself and an anxiety-ridden country.

A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.

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