Silencer Made of Glass

A man and woman meet when he pulls her out of an icy fountain that she has just jumped into. But their developing romance is marred by bad friends, money troubles and illegal sex work.

A woman's screams can be heard coming from an empty production company. The voice came from a building where no one was expected to be there, as it was currently the holidays. A woman's scream comes from the "Secretary's Room." Ruriko is desperately trying to escape from Sugita's grasp. Ruriko was an office lady at this company until a few days ago, and although Sugita did not report directly to her, he was her boss...

Chitose, who runs a long-established Japanese sweets shop, was forced to marry a man who assaulted her when she was a university student, but he died after allowing Chitose's body to mature. She now entrusts her shop to her manager, Aikawa, and adopts Mayumi, who used to be her bunny girl, and indulges in homosexual pleasure. One day, Chitose reunites with her ex-girlfriend, Yoshida, and plans an orgy with him, his wife, Yuri, and Mayumi's boyfriend, Junji...

Eriko married the heir of a businessman and was living happily ever after. One day, even though it was Sunday, her husband Yoshiki went to work. She became curious about a photo book published by her brother-in-law Kensaku that her husband had left behind. Eriko was secretly worried about Kensaku's threats...

A woman is assaulted on a train, later becoming a model for an artist.

Akiko, Haruka, and Fuyumi, all married women living in a housing complex, are living unsatisfied lives as a married couple. The three of them learn about each other's existence after Haruka posts something on the internet. Haruka suggests swapping to Akiko, but Akiko's husband, Kuriichi, doesn't understand, so she goes out alone to play with Haruka and his wife, where she awakens to a new self...

One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.

An embittered young man who draws no physical pleasure from sex starts a club for his friends, luring young women into violent rape and torture by charming them over the Internet. Eventually the angry sister of one of the girls takes revenge.

A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.

A high-school girl with paranormal abilities becomes the center of a bizarre cult which believes her to be a divine idol. In fact, she's a maniac, prowling the streets with a male slave to rape and murder innocent victims.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

The story is about Nagatoshi, a handsome and sexy monk played by Kazuhiro Sano, who is struggling for the widow he loves. Foreshadowing the prophecy of the Great Kanto Earthquake, the film is a highly entertaining theatrical spectacle that depicts the human condition of a downtown area undergoing development and the efforts of men and women who rebel against it.

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.

A taxi driving, punk rock listening, serial rapist with a bad attitude picks up female fares, sedates them with gas and takes them to his grungy lair where he video tapes his sexual abuse.

A couple living in a housing complex rent an apartment together and take turns enjoying their nightlife, but one man rents it on the wrong day and bumps into another man's wife. He is captivated by her troubled appearance. Then he offers his wife to the company's managing director, and the relationship becomes even more intense.

A girl runs away from her boyfriend. A middle-aged couple brother and sister find her, taking her to their mansion in the woods. They her to become a masochist and introduce her to their younger "brother"...