Wakaoku-sama: Futomono-biraki

A high school girl lives by herself in her parent’s apartment. They deserted her and each other they both took lovers. Feeling lonely she signs up as a mistress at a “Lolicon House” to service middle-aged men.

A taxi driving, punk rock listening, serial rapist with a bad attitude picks up female fares, sedates them with gas and takes them to his grungy lair where he video tapes his sexual abuse.

Currently in the spotlight of the media, a sexual clinic in Nishi-Shinjuku, Tokyo called "SEX Women's University" (president: Ikuro Nishikawa, chief professor: Happy Funatsu) is visited with a camera, and patients (male and female) suffering from sex are shown. This is a series of secret shots of the patient's sexual sensitivity enhancement treatment, featuring a young woman, a middle-aged couple, and a young couple. The SEX treatment by the director, the chief professor, and a beautiful nurse is a sight to behold.

The story is about Nagatoshi, a handsome and sexy monk played by Kazuhiro Sano, who is struggling for the widow he loves. Foreshadowing the prophecy of the Great Kanto Earthquake, the film is a highly entertaining theatrical spectacle that depicts the human condition of a downtown area undergoing development and the efforts of men and women who rebel against it.

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.

A man and woman meet when he pulls her out of an icy fountain that she has just jumped into. But their developing romance is marred by bad friends, money troubles and illegal sex work.

Johanna, the hostess of the parish house, does her utmost to ensure that everything goes according to plan. There is no room for error. The last thing Johanna needs is a busload of uninvited guests knocking on the door of the parish house on the eve of an important wedding. However, a passing Russian party has had its car broken down and Johanna soon finds herself accommodating the party at the parish house. Johanna's brother is tasked with fixing the car to get the guests on the road and out of the way quickly. Her brother's entrepreneurial friend, on the other hand, sees great opportunities in the situation and decides to act. The clock ticks, the car won't start, the wedding ceremony is about to begin and the recipe for disaster is in motion.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.

In a hospital with a near sighted doctor, horny nurses, cosplaying patients and stiffs in the basement the only healing taking place is sexual.

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An old married couple with bedroom problems become upset over the sexual antics of their daughter and a visiting randy couple. But then the part-time lovers of the couple show up and complications ensue.

Kyoko, discovering that her husband was having an affair, turns to her best friend for help.

A woman's screams can be heard coming from an empty production company. The voice came from a building where no one was expected to be there, as it was currently the holidays. A woman's scream comes from the "Secretary's Room." Ruriko is desperately trying to escape from Sugita's grasp. Ruriko was an office lady at this company until a few days ago, and although Sugita did not report directly to her, he was her boss...

Chitose, who runs a long-established Japanese sweets shop, was forced to marry a man who assaulted her when she was a university student, but he died after allowing Chitose's body to mature. She now entrusts her shop to her manager, Aikawa, and adopts Mayumi, who used to be her bunny girl, and indulges in homosexual pleasure. One day, Chitose reunites with her ex-girlfriend, Yoshida, and plans an orgy with him, his wife, Yuri, and Mayumi's boyfriend, Junji...