Algérie 1988-2000 : Autopsie d'une tragédie

Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.

Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.

Over most of two decades, Abu Mohammad al-Jolani’s life has been a roadmap of Islamist militancy in Iraq and Syria. Designated a terrorist by the United States, the powerful Syrian militant now seeks a new relationship with the West.

This documentary film by Pierluca Rossi recounts a journey to the southern Algerian Sahara, near Amguid, a small Tuareg village renowned for its unusual nearby crater. In the Tefedest massif, with its mythical summit, Garet el Djenoun, on the slopes of a vast sand dune rising to over 400 meters, one can practice an unusual sport: sandboarding, a new technique to try. Surprising speeds can be reached, and participants can familiarize themselves with the equipment of this new sport, perhaps paving the way for new practices.

Pierluca Rossi's Lungo La Pista Dei Contrabbandieri (1990) is an adventure documentary about a mountain bike crossing of the 700 km between the towns of Tamarasset and Djanet in the southern Algerian Sahara, from the Hoggar mountain range to the Tassili n'Ajjer. This crossing, supported by a 4x4 truck and a motorcycle, and never before undertaken by bicycle, emphasizes the rediscovered dimension of slowness, similar to the caravans of the Tuareg, in contrast to the unnatural speed of mechanized desert travel in the 1990s, which was considered the norm at the time due to the distorted image provided by the Paris-Dakar Rally and other similar events.

Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.

The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.

In the heart of the Hoggar Mountains, Algerian and French climbers meet on the legendary walls of the central Sahara. More than just an ascent, Tissalatine tells the story of an encounter with oneself, with the land, and with history. The film also retraces Thomas Dulac's return, ten years later, to a site he helped to open up. Driven by the profound voice of singer Djam and the vision of director Hamza Mendil, Tissalatine unveils a living, vibrant Sahara, far removed from clichés, in a sweeping epic of adventure, brotherhood, and spiritual elevation.

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In honour of the 15th Anniversary of 9/11, National Geographic Channel is looking back at the very best reporting we have done since this world-changing tragedy first happened using extended excerpts from past specials that relate directly to events leading up to and following the attacks on New York City and Washington DC.

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The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.

Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.

If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.

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Five young Italian climbers, Paolo Grunanger, Lorenzo Marimonti, Pietro Meciani, Lodovico Gaetani and Giorgio Gualco, members of the expedition organized under the patronage of the Milanese section of the Italian Alpine Club, reached Tamanrasset, in Hoggar, the Tuareg kingdom. From there, with a caravan of camels, they head towards the mountainous volcanic chain of Tahalra, little known to Westerners. During the exploration, climbers will climb seven virgin peaks via very difficult routes and at the same time carry out topographical surveys.

2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.

A look back at the years leading up to the fall of Kabul and the perilous evacuation of civilians trapped inside the embassy in the hours following the Taliban's takeover of the country.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.