Video World

Culled from over fifteen hours of footage by the American Genre Film Archive, this mixtape is the definitive presentation of public access TV’s most otherworldly show, The Stairway to Stardom.

Short documentary film on the beauty contest of children held at Torino. Some sequences are used in Peter Delpeut's Lyrisch nitraat.

A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.

From Elsinore shipyard launched the steamer AP Bemstorff sliding slowly out into the harbor.

Farmers' wives from Amager selling flowers.

Street Trading. Fishermen's wives from Skovshoved sell their fish from the stalls at Gammel Strand. Anker Kirkeby is in the picture.

The horse-drawn tram "Hønen" comes running along Nørregade and into the Old Square. "Hønen"'s last trip was on June 14, 1915.

Horse carriages seen at the Copenhagen Town Square.

From inside a tower, a man admires an artistic rendition of another tower.

The remains of the Baltic Violence have been eroded away by the large steam excavator. There is a man standing at the railway cutting as trains pass. He throws something into the railway cutting. This person is seen in several of the recordings from 1913. It may be journalist Anker Kirkeby.

Street Trading in Copenhagen in about 1913. The old butcher stalls by Nicholas Church, called the "stomach" before demolition.

Swimming. The Russian swimmer Romantschenko visits Copenhagen. He jumps into the water and swims around in the harbor, and he is later seen together with journalist Anker Kirkeby.

A documentary short film showing the flying of an airplane by the famous French pilot Chevillard.

View over the castle island of Holmen's Church and the Stock Exchange from the top of Christiansborg, where architect Thorvald Jørgensen is seen at Christiansborg slotting scaffolding, and with builders in the courtyard. The architect is also seen with stonemasons in the yard.

A short, early documentary work showing insects exhibiting extreme strength and agility.

Disjointed moments from the filmmakers’ daily lives during the past year. Captured on a 1985 VHS camcorder with color and luminosity distorted by its failing color Newvicon tube. Cut with distorted tape-recorded fragments of nostalgic broadcast television ephemera. Scored by whatever was handy— from an ambient electronic song with a surprising amount of pipe organ (Oneohtrix Point Never - Boring Angel) to midi versions of your favorite SNES soundtrack (Donkey Kong Country – Aquatic Ambience, Opening, and Treetop Rock) to a not-quite-right rendition of a song that will make you want to say “Oh, Angelo, that’s tearing my heart out!” (Xiu Xiu – Falling). A voyeuristic peak at home movies that exist somewhere between soon to be forgotten and forgotten long ago. The occasional dot matrix time stamps in the corner of the footage somehow make it harder to place in time.

Shurochka, the film’s hero, spends her life walking from one village to another in order to weigh tractors. Yet, this makes just one part of her existence. She dances to Utiosov’s songs, she smiles to the pictures of old Soviet actresses and shows a wonderful taste for life amidst the lonely provincial disorderliness.

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The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Prix et Profits is a 20-minute short film originally made for educational purposes and released in 9.5mm format. As the title suggests, the film follows the supply chain of a potato, from farmers to consumers, and examines the mechanisms of capitalism.