Blow-Ups of 1946

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.

A very short film about members of a community who one by one suffer murder and assassination by various methods. So much sadness, pain, suffering, by children, mates, couples separated, friends lost. Fear and horror are always present, watching their loved ones being murdered, some in a slow deliberate manner, that will horrify the sensitivities of the tenderest among you.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1940.

Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.

A man's car breaks down, leading him to journey for a small plastic funnel.

Have you ever wondered what would happen if the words "moose" and "cock" were to suddenly come together to form a new word? This hard-hitting short film probes the possibilities.

On the dance floor and from the heart, people with disability and their families share relationship stories, hopes and challenges.

Two unlikely running mates seek the nation's highest office.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro/microcosm, an abstract model of revolution and the beauty of daybreak.

A dark and magical visit to the fabled Parisian address Rue Fontaine 42. This was the residence of André Breton, the mastermind of surrealism, who surrounded himself with an impressive collection of modern, Western art and ethnographic objects from Oceania and North America. The collection was sold and divided up in 2003 at a controversial auction. 'The Trick Brain' is a delirious montage and a trip back in time to Breton's private art collection, where Atkins has been scouring the archives and come up with a possessing interior film of the place that once was, complete with surrealistic paintings, scores of Indian figures and hundreds of other displayed rarities. The film's soundtrack is provided by an observant narrator, who reveals to us that the objects shown are not necessarily what they claim to be - but instead are catalysts for some kind of wonderful linguistic virus which reveals the real identity of things.

Homer Bagwell (Harry Gribbon) is an incredibly talented, but reluctant college football player who is dating one of his teachers, Helen Dover (Geneva Mitchell). A jealous rival tries sabotaging Homer.

Ill-tempered Billy proves troublesome for fellow taxi drivers Franklin and Clyde.

Andy makes elaborate plans to attend a prizefight, and they all backfire.

This film features unreleased concert footage of Elvis Presley's afternoon performance at the 'Mississippi-Alabama Fair and Dairy Show' held at the Fairgrounds in Tupelo, Mississippi on September 26, 1956. The professionally filmed black and white newsreel footage was synchronized with an amateur audio recording of the concert that had previously appeared on the 'Elvis Presley: A Golden Celebration' LP/CD box set.

Two sailors decide to settle down and get married, and live to regret it.

A team of inept undertakers attempt to get a coffin to a funeral on time. An undertaker is in charge of moving a coffin from a home to the church. The home is on the 26th floor of a skyscraper; the stairs are narrow; the lift is small and prone to stop working. Chaos ensues.

Franklin gets into a disagreement with a tough sea captain. However, he doesn't find out until later that the captain is his fiance's father.

Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25/28.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.