T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s

I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.

A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.

The one-off documentary tells the story of two women travelling by bike across the United States, from Canada to Mexico along the Great Divide. A unique adventure through the most remote areas of the Rocky Mountains, between pristine nature and wild animals. An epic journey that led them to travel 4,000 km and climb 60,000 meters and that, day after day, forced them to face their own limits, their strength and fragilities, and tested their relationship. Because every journey is always a love story.

Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

Musical short.

Ulysses is a shy and effeminate boy who finds himself coping with new responsibilities as man of the house after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses' journey takes a turn for the better when he finds a vibrant transgender community.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

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Homophobia didn’t just happen. Orchestrated campaigns by cultural institutions and public figures have systemically instilled anti-LGBTQ prejudice into American culture by shaping public opinion.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

A student, initially serving as a director, filmed his LGBTQ+ teacher but eventually became personally involved in drag. What began as an observer's stance transformed into active participation in drag. Through self-engagement in drag, the director assumed the identity of Rachel and seized an opportunity for a dialogue with self-identity. This experience led to an awareness of the conflicting dialectics between societal frameworks and personal identity. The director embarked on multiple attempts to coexist with and showcase the multifaceted aspects of the transformed, drag persona.

Juno Award-winning musician Kinnie Starr is on a quest to find out why only 5% of music producers are women even though many of the most bankable pop stars are female. What does it take for a woman to make it in music?

‘Chanel’ in Myeong-dong in the 1970s was the secret hideout for Butches and Femmes. In 1996, young lesbians opened Korea’s first lesbian bar, Lesbos. In the early 2000s, queer teens looking for a community gathered in a small park in Sinchon. Myung-woo, who ran ‘Lesbos’ nearby, was still guarding the place 20 years later. As the coronavirus crisis hit, the bar has lost its customers. Will she able to protect the place this time?​

The brutal and often poignant story of a boy trapped in the body of a girl. It takes us on the journey of a typical Afrikaans child who faces self-hate, societal rejection, doubt and ultimately healing. A story about a transgender child fighting to find their place in the world.

It was 24 hours with him. I saw him shake his ass with a friend. Scrubbing tile corners. Have egg salad for lunch. Buy cleaning products. Rehearse in the studio. Playing with children on the grass. In a huge theatre, review texts about scenes of decolonization. Smoke one, or two. Problematizing on the bus. Undressing on the couch in my house. Sleeping without fitting into the bed because you are too tall. I saw the sun bursting on your skin in the morning and said goodbye. I thought a standard session wouldn't encompass the complexity of an intimate recording. So I was his voyeur for 24 hours. Uninterrupted.

As a gay man, filmmaker Arshad Khan examines his troubled relationship with his devout, Muslim father Abu. Using family archives and movies, Khan explores his struggle with his identity and compares it to his parents attempts to fit into Canada.

An examination of Chicago's lost lesbian bars, why they've disappeared, and what comes next.