The Last Days of Pompeii

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

Released in five parts (The Persecution of the Children of Israel by the Egyptians, Forty Years in the Land of Midian, The Plagues of Egypt and the Deliverance of the Hebrews, The Victory of Israel, The Promised Land), 4 December 1909 to 19 February 1910. A Vitagraph advertisement in the Moving Picture World (31 Dec. 1909) refers to The Life of Moses as a "Biblical Film-de-Luxe". It is preserved in the Library of Congress collection.

The Count of Maravillas receives an unusual proposal from a masked woman: to kidnap the valido of King Carlos IV.

The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau.

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

In the beginning was sex. To the ancient cultures, sexuality, love and sex were inextricably connected with the creation of the earth, the heavens and the underworld. To the citizens of the ancient civilizations that gave birth to ours, sensuality and sexuality were an integral part of society. This series exploration of Egyptian and Roman sexual practice allows viewers the opportunity to see how attitudes and beliefs about sexuality functioned in the early civilizations, and how those attitudes reveal the unspoken rules that defined public and private behavior. Episodes cover human sex and sexuality from a historical perspective, and examines in detail different texts and images which provide us with evidence about sexual practices, beliefs and ideologies in the ancient world – from erotica on pots to legal texts, phallic votive objects, fertility ceremonies, prostitution, female and hermaphroditic creator deities, from religious rituals to sex manuals.

Scientist Galileo Galilei was engaged in his studies, but a servant of his attempts to seduce his daughter, and denounces Galilei to the Holy Office.

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.

Martyrs of the Inquisition

Epic account of the thief Barabbas, who was pardoned for his crimes and spared crucifixion when Pilate offered the Israelites a choice to pardon Barabbas or Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place.

Pompeii 79AD, mere days before the Vesuvian eruption. Glaucus and Jone are in love with each other. Arbaces, the Egyptian High Priest, is determined to conquer Jone. Glaucus purchases Nydia, the blind and long-suffering slave. Nydia falls in love with Glaucus and asks Arbaces for his help. He gives her a potion to make Glaucus fall in love with her-- In fact, a poison which will cause violent insanity.

The Devil of Comparisons (original title: El Demonio de las Comparaciones), was a 30-hour black & white silent film from 1929 by Narding Salome Exelsio (1883-1949). It explores the cyclical lives, deaths, and rebirths of Jose Rizal and his characters (played by hitherto unidentified actors) in a wasteland ruled by demons.

The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.

The first Chinese film ever made, a sung representation of Battle of Mount Dingjun.

After the death of Octavian, the rebel populations of Illyria and Pannonia pose a grave threat to the Roman Empire. Tribune Marcus Ventidius is sent to subdue the uprising and, after a bitter battle, captures Pannonian chief Magdus together with a number of women hostages. These include Magdus's own daughter Helen, betrothed to cruel Illyrian warrior Batone who has killed many Romans. Julia, daughter of the Roman governor Messala, is in love with Tribune Marcus and, jealous of his sympathy for the barbarian girl, plots an escape by Helen and her father. Pursuing the fugitives, Marcus crosses a mountain pass where Batone has laid a trap.

A falsely accused nobleman survives years of slavery to take vengeance on his best friend who betrayed him.

After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.

After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

What is true and what is false in the hideous stories spread about the controversial figure of the Roman emperor Gaius Julius Caesar Augustus Germanicus (12-41), nicknamed Caligula? Professor Mary Beard explains what is accurate and what is mythical in the historical accounts that portray him as an unbalanced despot. Was he a sadistic tyrant, as Roman historians have told, or perhaps the truth about him was manipulated because of political interests?