The Improv: 50 Years Behind the Brick Wall

After being blacklisted from The Academy Awards, movie enthusiast Matthias Agganis decides to start his own awards show. But when things go wrong, the focus begins to shift on a variety of different programs. This comedy will have you "tuned in" the entire time.

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A group of friends in a car give a ride to a stranger who will affect their lives indirectly.

It's rude to double dip, especially at the precipice of success.

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

While home during break and stoned out of his mind, a college student looks for advice from his friends on how to deal with the raccoon he saw in his garage.

The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.

Co-hosts Josh Bath and Samantha Newman have troubles with their early morning talk show when Josh gets dumped live on the air and battles through the five stages of grief.

What do you get when you put a truth-deficient small-group leader, an atheist, an in-the-closet Christian, and a Bible thumping improv troupe called Comic Evangelists together in a van? This Christian improv troupe wants to spread the Lord's word at a big city Improv Festival. But as they prepare for their big performance they get closer and closer to collapsing under their own secrets and lies. Will the group's faith be enough to get them through the experience that awaits? Produced on a shoestring budget and completely improvised by real-life improv troupe Crawlspace Eviction, this ensemble comedy takes on humor and faith with hilarious results!

When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

An exploration of the individual components that make up a jazz improvisation, told in 13 parts.

For 14 years Johanna and Boris live as a couple. Looking for her purpose in life, Johanna visits a seminar of the alternative community "Center for Inner and Outer Peace". Although she's still in love with her boyfriend, Johanna decides to change her life completely, moving to Switzerland to live in this community. Boris however is not amused. During the world-cup soccer finale, the couple experience its own crucial struggle.

An interview with one of the most influential and controversial filmmakers of some century. Marie Saint Marie opens up about her personal life and artistic processes in a raw portrait that few filmmakers would have the balls to display.

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Two friends resort to playing Rock, Paper, Scissors, flipping a coin, and detailed, yet petty analyzation of their friendship to determine which of them will call the mother of their recently deceased best friend, informing her of his demise.

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