Ho Chi Minh: A Sketch for a Political Portrait

For nine months in 1930, seven Bretons, lobster fishermen, were "forgotten" on a volcanic island by their employers, Normans from Le Havre, heirs of the last French whalers. Four employees would die on the spot. Their descendants today revive the memory of this human tragedy which also struck 42 Madagascans. Starting from a sordid social conflict, the documentary shows that the “Forgotten Saint Paul” mark the end of an era of “colonization”, a term rarely used for the French Southern Territories, but nevertheless close to reality. This is the story of the Third World, as its discoverer, Yves de Kerguelen, named it.

Documentation of the encroachment of European settlers upon Native American lands and the violent reaction of the Indians in their struggle to survive.

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

Private McKinley Nolan vanished 40 years ago in Vietnam on the Cambodian frontier. Some say he was captured, some say he was a traitor, some even say he was an American operative. The US Army officially claims he was radicalized and went native, joining the Viet Cong and later encountering the Khmer Rouge. In 2006, retired US Army Lt. Dan Smith, revisiting the battlefields of his youth, may have encountered the elusive McKinley, alive. So began a journey into the heart of darkness.

In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.

An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.

Return to al-Ma’in chronicles the multiyear collaboration between Forensic Architecture (FA) and Palestinian historian and Nakba survivor Salman Abu Sitta on the reconstruction of his birthplace, the lost village of Ma’in Abu Sitta (or al-Ma’in). Guided by the work and memories of Abu Sitta, FA-researchers reconstructed al-Ma’in’s occupation by Israeli forces on 14 May 1948, its subsequent demolition, and the settlements constructed on its ruins. The movie looks to the present moment and the connections between Israeli military’s conduct and appropriation of Palestinian land during and after 1948, and today in Gaza. The project looks back at the sophistication and sensitivity with which the Abu Sitta family cultivated their land, and the rich agricultural diversity that was lost when Israeli settlements were subsequently constructed over this landscape.

A US Air Force produced film that follows a group of F-105 pilots as they pass their hundredth mission during the Vietnam War.

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

We are living in the time of a heteronormative society that antagonizes Queer people for their Being-ness. In Africa, it is believed that we are un-African to Proudly be Our LGBTQIA+ selves. In this short documentary, we share with you researched origins of modern homophobia and queerphobia, while exposing hidden truths about the English bible. The short is a testament to the harmful effects of colonialism and the dangers of religious indoctrination. This film offers audiences the opportunity to question what we have been told to believe is true about queer people.

A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.

This documentary questions the consequences of the German colonial war at the beginning of the 20th Century in South West Africa, and explores how the relationships between the descendants of colonists and colonial rulers and the descendants of the colonised and exploited people are shaped today.

A Maasai human rights lawyer fights to stop the evictions of his people from their homelands in Tanzania. On the outskirts of Serengeti National Park in East Africa, Maasai face eviction from their land to make way for international tourism and hunting grounds. Human rights lawyer Joseph Oleshangay campaigns for his community to remain on its homeland as it has done for generations. While he represents Maasai communities in court, Joseph also remains close to his traditions among the cattle at his rural home near the Ngorongoro Crater. Risking his life to gather evidence from recently depopulated villages, Joseph battles in court where he leads the fight to resist the evictions.

Click for full movie details & trailers.

This portait of life on the tea plantations is decidedly rosy – clearly, there are no exploited workers here. However, the film provides an intriguing overview of tea production – from the planting of tea seeds to the final shipping of the precious leaves across the globe.

In this short film, artist Jobie Weetaluktuk turns his gaze on his family and the power of ritual through the story of a young woman and her unplanned child. In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.