As Donas da 30

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When France rumbles, the strategy and control of public order become a crucial political issue. Between protecting institutions and guaranteeing the right to demonstrate: the right balance is subtle. At the beginning of the Yellow Vests movement, at the end of 2018, the principles of "French-style" policing were shattered. The ransacking of the Arc Triomphe, the hundreds of injuries among the demonstrators and the forces of order mark the minds. How did it come to this? In order to understand, the film questions the so-called "legitimate" force and confronts them with the images of these confrontations.

The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.

A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.

In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.

A documentary in which retired industrial workers reflect on the promises and anxieties of retirement. Beginning with the Budd Company’s “Retirement Ceremony” in Philadelphia, the film explores how leaving work can mean the loss of routine, identity, and a sense of accomplishment, even as it marks a long-anticipated milestone.

Directed by journalist Ricardo Alexandre, the documentary tells the story of the Napalm nightclub, responsible for the new wave and post-punk generation in Sao Paulo. Mixing live shows, cutting-edge DJing and videos in its "modern" internal television system, the venue quickly became a meeting point for young people who shaped the grayer side of Brazilian rock in the 80s.

Kat, a wheelchair user, navigates a city where access is improvised and progress remains uneven. Para-Paraan (Finding a Way Through) turns silence into protest, revealing how every workaround conceals a larger truth. Kat’s silence is not defeat but defiance, a quiet hope that someday, resilience will no longer be the only way forward.

During the summer of 2023, my father decided to hang up the boots and walk away from the family business of 25 years. This is my love letter to the cafe in which my family and I have worked, encapsulating the good vibes and cheery nature the business held for a quarter of a century.

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The Last Gift: Jim’s Courage, Our Hope is a moving short documentary exploring the intersection of science, altruism, and human dignity at the end of life. The film follows Jim Dunn, a man living with HIV who chooses to participate in UC San Diego’s Last Gift Study, a pioneering research effort enabling people nearing death to donate their bodies to science immediately after passing, helping researchers uncover where HIV persists despite treatment. Through intimate conversations, reflections on mortality, and moments shared with his wife Susan, clinicians, advocates, and scientists, the film reveals Jim’s profound desire to contribute to a future free of HIV. With honesty and grace, it captures the emotional complexity of end-of-life decisions and the extraordinary courage behind them. Jim’s legacy reminds us that scientific progress is built not only on data, but on human generosity, relationships, and hope.

The film chronicles the life of Waluyo, a confident young puppeteer who is fighting to pursue his career. The various obstacles he went through did not make him give up on living life. Even it becomes a lighter to continue working. However, the Covid-19 pandemic strikes and changes his perspectives to survive. He also has to be realistic and has to adjust to the situation.

L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.

A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.

A homeless man with schizophrenia slowly embraces antipsychotic medication under Hawaii's only willing psychiatrist and a court mandate, while a man in recovery offers rare insight into mental illness as he fights to reclaim stability.

In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.

Fifty years ago, aspiring thespians Terry and Carole Ann Gill arrived in Australia from England seeking fame and fortune. But they never quite made the big time. Instead they stumbled into the curious world of children's pantomimes. Over the decades, they have built a successful business and touched the lives of generations of children; but their own dreams have slowly faded. Now aged in their 70s, with their beloved theatre under threat from a greedy property developer, Terry and Carole Ann's careers appear to be coming to an untimely close. As they battle to remain open, they are forced to reflect on the choices they have made in their lives.