Antonio Divino

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The cult of the Madonna dell'Arco dates back to the 1400s, when a young believer, after losing a game of pallamaglio, threw a ball in anger at a portrait of the Madonna under a Roman arch. The Madonna began to bleed. The crowd wanted to punish the boy for his wicked deed. The Count of Sarno decided to have him hanged from a tree. A few hours later, the tree withered. This is the myth that has always accompanied the oldest Marian cult in Campania (Italy).

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

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A documentary essay that, through exclusively images, music and editing, aims to show a different image of the manipulated Andalusia that had been present on movie screens for many decades.

Caminito del Rey is a feature-length documentary that takes viewers on a journey along one of the world's most spectacular and dangerous walkways. From its humble beginnings in 1901, when daring sailors hung suspended in mid-air to construct an impossible path, to its stunning restoration in 2015, this documentary explores the incredible story of a place that defied the laws of nature and time. It is not just a documentary about a place; it is a celebration of the human stories that have made it timeless.

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

Biopic of Javier Imbroda, coach and teacher, who transformed people and cities. The story of an overwhelming personality who made everyone win. Imbroda made it possible to take his school team to the national elite, the creation of Unicaja, the Lithuanian revenge or the genesis of 'the family', the best Spanish team in history. The documentary questions the conception of superficial and fleeting success compared to the human and profound triumph that Javier Imbroda represented in all its facets.

The documentary Felipe González approaches some of the most important facets and stages of the Andalusian politician's life, before becoming President of the Government of Spain: his early years, his high school studies at the school of the Claretian Fathers in Seville, his years in the Catholic Action University Youth and the Catholic Workers' Youth, his entry into the Spanish Socialist Workers' Party (PSOE).

A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.

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Explores the life and musical career of Migue Benítez, a key figure of the "garrapatero" sound and co-founder of Los Delinqüentes. Through personal testimonies and archives, this documentary traces his origins in Jerez de la Frontera, his creative process, and the unforgettable impact that his art left on those who shared his path.

Independence Day celebrations at the Finnish presidential palace December 6, 1960.

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”

Weird and wonderful characters entertain the crowds in this summer's day procession at Pwllheli, Gwynedd.

On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

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Rafael was the outlandish mayor of a small Andalusian village until his absent-minded eccentricities caused him to draw in the village elections. Now he has a clear objective: to win in the second elections. His best idea is to organise and star in a documentary to brag about 'his people'. Through these cameras we will get to know one of the crazy traditions of the village. But also, the criticism and laughter that his dubious management arouses, and the irrefutable prudence of Victoria, his competitor. All these problems will explode back at him... literally.

Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.