Exorcismo: The Transgressive Legacy of Clasificada “S”

At the end of the 18th century, the wealthy French scholar Saussure comes to a small Alpine village and offers 1,000 pieces of gold to anyone who can lead him to the summit of Mont Blanc. The young farmer's son Jacques Balmat wants to take on the dangerous task, even though his father has told him from an early age about the mighty mountain spirits who guard a legendary treasure of gold on the mountain peak.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

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Spain, early 20th century. As a child, Leocadia Cantalapiedra was dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

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A journey into the magical world of fantasy, a genre that has captivated the world for over a century, from Tolkien's novels to the legendary Harry Potter saga, from the Game of Thrones phenomenon to The Wheel of Time and the must-play video game Zelda. This film, bringing together exceptional contributors such as Richard Taylor, author Robin Hobb, French writers Maxime Chattam and Estelle Faye, and history-specialist videographer Ben, is narrated by Adeline Chetail. Designed as an immersive journey with spectacular images, it takes viewers into a parallel world, born in response to the crises of history. A world that has become a reflection of very real dreams and struggles, but also a celebration of the imagination, its richness, and its power over lives.

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The story of the shooting of Satan's Blood (Escalofrío), a film directed by Carlos Puerto in 1978.

Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.

Documentary film that follows Silvana Castro, a woman who works at the National Congress Library in Argentina where the books that were forbidden during the military dictatorship are kept. After the exhibition of the books is suspended, she'll try to open it again.

The life and professional career of the Spanish filmmaker Florián Rey (1894-1962), a brilliant artist who began his career in silent films and had great commercial success during the Second Republic (1931-1936): a journey to the early days of Spanish cinema.

The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.

"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).