Rule of Return

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of the forgotten people, their lives and their deeds. These two Archives have been found on the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer. This film ponders on this occurrence, on the vanishing of and forgetfulness of humans.

Gan Escapism is an experimental short film by Ukrainian-born artist Anna Malina. The film was crafted using a Generative Adversarial Network (GAN) to create a unique and captivating visual experience that blends abstract illustrations and evading sounds to create a surreal and thought-provoking piece of art.

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

Puppets made of pliable material, impart the following message : your companion should be a worthier person than yourself so that he can impart knowledge and virtue to you.

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

In 2057, a smart house remains standing in a world without humans after a nuclear war, along with the robots inside it. The robots continue their daily routines meaninglessly. While humanity has been destroyed by a power of its own making and greater than itself, this artificial order, in parallel, is also unable to withstand the greater force of nature for long.

Music video for Beats Antique featuring Les Claypool on Bass and vocals. Animated in Claymation, in the style of a "oner", or one continuous shot. As part of Beats Antique's "Thousand Faces" tour, this film was projected in-concert on a screen behind the band, along with projection mapped claymation elements in front of the band.

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

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Click for full movie details & trailers.

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

Dissonant selves dancing around opposition and harmony.

Inspired by the legendary live action series of the same name, Bush Mechanics is the story of four Warlpiri men on a journey to visit a powerful elder. As they drive across the desert they must overcome mechanical trouble and the tricks of a cheeky Munga Munga spirit. It will take all of their bush skills to keep their car running and themselves alive.

Click for full movie details & trailers.

Click for full movie details & trailers.

Life's tough. It's ok to take time out... Stop-frame short by New Zealand Filmmaker Tom Reilly.

Dark stop motion animation that focuses on a captured being.

Pictures taken between France and Mexico running at 8 frames per second.