Le silence entre les notes

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

Fu Chu is one of the most important and strict prisons in Japan, where they have more than 2,000 people living together. In addition, it is the one that has the greater number of foreigners. Through the testimony of two French prisoners we know first hand how the inmates of Japanese prisons live behind bars. Fu Chu is known worldwide because many ex-convicts have sued the Japanese State for the treatment received during their incarceration. Amnesty International has been interested in this problem and has denounced the methods used to consider that they violate Human Rights. In this documentary the cameras enter for the first time in the premises of the prison and show how is the strict regime of this institution.

In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.

In the 90s, Stasya and his dad were spending their summer holidays in Odesa with their grandmother. Their relatives from different cities of Russia were also coming there to enjoy the warm sea. 30 years later they meet again. This time in Moscow.

For Ted, music and creation are the most important things in life. And around him he has a small group of friends who never hesitate to do everything they can to help him. My Brother Ted is a touching declaration of love from a big brother to his little brother.

One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?

North Philadelphia, PA – Kev, El and Andy are three men united by one struggle: they are trying to defy gravity. As part of the 700,000 prisoners released into society every year, they find themselves faced with a chilling outlook: 67% of ex-offenders re-offend within three years. What explains this invisible force that keeps former inmates in a seemingly unending cycle of incarceration? Filmed on the street over the course of two years, Pull of Gravity is an intimate portrait of these three men that confronts head-on the gritty details of lives cut short by poverty and drugs, where dealing is seen as the only route to economic prosperity, where using offers an escape from powerlessness, and where prison is too often the next stop. The film’s unfiltered lense captures its subjects as they lay bare their stories, fears, and tentative dreams.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

REAL BOY is the coming-of-age story of Bennett Wallace, a transgender teenager on a journey to find his voice-as a musician, a friend, a son, and a man. As he navigates the ups and downs of young adulthood, Bennett works to gain the love and support of his mother, who has deep misgivings about her child's transition. Along the way, he forges a powerful friendship with his idol, Joe Stevens, a celebrated transgender musician with his own demons to fight.

unravels the hidden struggles between mothers and daughters across generations.

After decades in prison, Todd Scott, Chad Campbell, and Carlos Rebollo navigate the complex bureaucracy of the parole system and deal with its psychological toll. All three men, incarcerated as teens, wrestle with the weight of their crimes, questioning how they can appropriately express their deep remorse to a parole board that will determine whether they are released.

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Don Luis Valdez is a luthier of traditional music instruments, who embarks on the task of teaching a group of inmates from the "Santiago 1" prison (Chile), to build a guitar.

The mother of a child suffering from cancer struggles to maintain a normal life for her family. Stine is thirty-seven years old and the single mother of three girls. Her daughter Cecilie, now aged eleven, has had cancer since she was two. Cecilie has spent half her life in hospital and Stine along with her. Stine is fighting an unfair battle in unbearable chaos. At the same time, she insists on maintaining some sort of life for all three children.

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Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins ​​didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins ​​didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.

Weaving together the voices of women entangled in the criminal justice system, along with leading scholars on prison abolition, this film provides a critical analysis of the disfunctionality and violence of the prison system.

The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.

Her own family history from a female perspective, told as a fragmentary, personal stream of memories. Great-grandma, grandma and mother have to come to terms with the conditions of their time, the difficult prospects for a self-determined life in the working class. Some dreams are shattered, but love for each other catches them all. Collecting shells, summer in the garden, cuddling together. The big is in the small.