Je vais tuer Hitler

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During the Nazi occupation of 1944 Rome, Resistance leader Giorgio Manfredi is pursued by the Nazis as he seeks refuge and a means of escape.

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

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Pyatigorsk. The foot of Mount Mashuk. Morning of July 15, 1841. Two days ago – friends, overnight – irreconcilable enemies. A few hours remain until the duel between Lermontov and his friend Martynov. Relatives, friends, acquaintances of the duelists are trying to prevent the duel.

A film about the life and work of the Azerbaijani immigrant journalist and writer Mohammad Asad Bey, who emigrated to Germany after the collapse of the Republic of Azerbaijan at the beginning of the 20th century

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2-channel film installation 'Die Last meines Namens', wherein Heydt deals with an unpleasant part of his own family history. Heydt’s great-grandfather was a member of the NSDAP and mayor of the small town of Haselünne in Emsland for almost 10 years during the Third Reich. Based on interviews with his grandfather and research in various archives, Heydt develops a personal perspective on the subject. The film deals with how we construct identity from oral retellings, how we process family histories, and how we can find current and personal points of access to German remembrance culture. At the heart of the work are two conversations with his grandfather Heinrich Heydt, recorded at different points in the research process. In them, the grandfather describes his memories of his father, the time, and the two reflect on the subject and the results of the research.

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

A documentary about the parents of director Ivette Löcker, who have been living apart in their shared home for 20 years.

Part documentary/part dramatization, this film details several of the highest-profile unsolved cases of disappearances, mysterious changes in personality and other strange occurrences related to the Bermuda Triangle.

An alchemist musician. A couple in a war trench. In an apocalyptic future, these three characters will be meet to discover the origins of hatred and the art.

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An in-depth portrait of British composer, pianist and singer Elton John, pop star and myth of modern culture.

102 Years in the Heart of Europe: A Portrait of Ernst Jünger (Swedish: 102 år i hjärtat av Europa) is a Swedish documentary film from 1998 directed by Jesper Wachtmeister. It consists of an interview by the journalist Björn Cederberg with the German writer, philosopher and war veteran Ernst Jünger (1895-1998). Jünger talks about his life, his authorship, his interests and ideas. The actor Mikael Persbrandt reads passages from some of Jünger's works, such as Storm of Steel, The Worker, On the Marble Cliffs and The Glass Bees.

The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

After 20 years of wandering taiga weather stations searching for a suitable place for having a life, Nataliya and Yuri Usovy settled on Olkhon island, on a remote weather station. They thought to find happiness here.

Shortly before the end of the war in 1945, the Allies can already be heard in Nesselbühl in Swabia when three freight cars are uncoupled at the station. The screams of the starving concentration camp prisoners inside can be heard throughout the village, but nobody dares to help them. Only the innkeeper's daughter Anna takes heart...