Il Grande Cretto di Gibellina

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In 1061, a handful of Norman mercenaries, led by the son of a noble family from Hauteville-la-Guichard, a village in the Normandy bocage, set foot on the Sicilian coast. Roger de Hauteville and his troops had been commissioned by the Pope to reconquer the island from the Arabs, who had seized it in 831. These fearsome warriors took thirty years to achieve their goal, but when they finally entered Palermo in 1071, their leader became an enlightened ruler. Relying on the high quality of the local Arab administration, particularly in tax matters, he set about building what was to become one of the most prosperous and advanced kingdoms of his time.

Uli Köhler and Nick Golücke have visited the protagonists of the 1990 World Cup 20 years after their championship win and looked back together. The Writers Nick Golücke and Uli Köhler have, 20 years after World Cup triumph of the German national soccer team in Rome in 1990, visited the protagonists of back then once again and indulge with them together in memories.

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Shows how classical Rome, the church, and the life and times of the people have influenced Italian artists. The Gates of Paradise by Ghiberti, the Arena Chapel in Padua. Giotto's frescoes, and other historic Italian monuments and works of art are pictured. For junior and senior high school, college, and adult groups.

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Global warming in context. What the climate of the past tells us about the climate of the future.

Maurício Dias & Walter Riedweg often say the streets are their studio. From the observation of them and of those who populate them there arise installations about encounters, identity and territoriality. The Brazilian-born Dias met the Swiss Riedweg in 1993. Together they learned that they could boost one another’s ideas. “This marriage became Mau Wal,” says Dias. In this documentary, they present their works and the many characters behind them: people who make day-to-day living in the big cities. Street vendors at a Northeast Brazilian fair in São Paulo, illegal immigrants in their quest for the European dream, street kids and their memories. In stories or in the role it plays, the human element is always a centerpiece to the duo’s work.

Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.

Depicts assorted natural and human disasters, including the crash of the Hindenburg (1937), earthquakes in Alaska (1964) and Long Beach (1933), the LeMans auto racing crash at which 82 people were killed (1955), Hurrican Camille (1964), the eruption of the Mt. Etna volcano (1971), a tornado (1974), the collapse of Idaho's Teton Dam (1976), the sinking of the Andrea Doria (1956) and the Texas City explosion which devastated Galveston (1947).

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.

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Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

Luca lives for pizza. In an attempt to create a documentary about the cultural exchange between Neapolitan and Windsor pizza, the Covid-19 pandemic diminishes any hopes of flying to Italy and exploring his cultural background. With an infinite amount of free time, (and a hunger for pizza), Luca and his twin sister, Gemma, aim to save the documentary.

A documentary about German tourists on vacation in Italy and various activities at their Italian vacation destination.

Ring of Fire is about the immense natural force of the great circle of volcanoes and seismic activity that rings the Pacific Ocean and the varied people and cultures who coexist with them. Spectacular volcanic eruptions are featured, including Mount St. Helens, Navidad in Chile, Sakurajima in Japan, and Mount Merapi in Indonesia.

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.