Sahara Vertical

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Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.

In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.

In a village near a deadly mountain ascent the people repeatedly have to help climbers in danger who didn't make it to the top, in fact nobody made it yet up there. Hansi Knoteck can't stand anymore the danger after a member of the rescue party dies and demands from Attila Hörbiger that he steps back from participating in his rescue efforts. Finally he relents but the villagers ostracize them. In the meantime Winnie Markus tries to seduce Richard Häußler who makes the life for his wife Viktoria von Ballasko a hell through his infidelities.

This documentary film by Pierluca Rossi recounts a journey to the southern Algerian Sahara, near Amguid, a small Tuareg village renowned for its unusual nearby crater. In the Tefedest massif, with its mythical summit, Garet el Djenoun, on the slopes of a vast sand dune rising to over 400 meters, one can practice an unusual sport: sandboarding, a new technique to try. Surprising speeds can be reached, and participants can familiarize themselves with the equipment of this new sport, perhaps paving the way for new practices.

Mont Blanc, the roof of Europe, attracts the attention of mountaineers from all over the world, from seasoned climbers to novices. With its extensive media coverage, this mountain represents a dream of adventure for an ever-growing audience. Catherine and Maël, natives of Chamonix, also dream of reaching its summit. But climbing the giant of the Alps is a major undertaking that requires rigorous high-altitude training. Aware of the risks, the two novices enlist the help of Jean-Paul Lemercier, a high-mountain guide. He will give them the opportunity to learn about this challenging environment during a "Mont Blanc Course," which includes ice climbing school, two acclimatization peaks, and the ascent of the legendary mountain over three days. Set against the majestic backdrop of the Mont Blanc massif, this film retraces their preparation, their attempts, and the realization of their dream, day by day.

The ascent of Mont Blanc takes two days. First, you have to climb the Aiguille du Goûter, at the summit of which, at 3,817 meters, clings the Goûter refuge, a small metal box where you spend the night. The climb is 1,500 meters long, including some of the most technical sections. 2:00 a.m. The alarm rings, and Carole Dechantre and Jean-Paul Lemercier begin their ascent of the Dôme du Goûter by the light of their headlamps. With the first rays of sunlight, the Arête des Bosses is illuminated. Already, the surrounding mountains seem smaller. One last effort, and they finally reach the summit of Mont Blanc, the roof of the Alps, at 4,810 meters.

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.

Pierluca Rossi's Lungo La Pista Dei Contrabbandieri (1990) is an adventure documentary about a mountain bike crossing of the 700 km between the towns of Tamarasset and Djanet in the southern Algerian Sahara, from the Hoggar mountain range to the Tassili n'Ajjer. This crossing, supported by a 4x4 truck and a motorcycle, and never before undertaken by bicycle, emphasizes the rediscovered dimension of slowness, similar to the caravans of the Tuareg, in contrast to the unnatural speed of mechanized desert travel in the 1990s, which was considered the norm at the time due to the distorted image provided by the Paris-Dakar Rally and other similar events.

Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.

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Nicolas Jean, a 14-year-old climber, decided to meet climbers who have left their mark on their era and contributed to the evolution of climbing in their own way. Among them is his coach, Laurent Perez, who will guide him on an original project: re-equipping a 7c+ route and adding a variation that will make it his first 8a if he manages to complete it! Nicolas Jean will later become a high-mountain guide and the alter ego of his climbing partner, Benjamin Védrines, with whom he will achieve numerous first ascents, including the summit of Jannu Est (7468 m) in October 2025.

Via Annaba takes us to the 2023 Annaba Mountain Week in Algeria, an event organized by the French Institute of Annaba and produced by CSPS Aïn Beïda and Nephrops Prod. During this event, climbers from Algeria, France, and Spain gathered for numerous outdoor sports workshops along Annaba's magnificent, rugged coastline: rock climbing, setting a via ferrata route, deep water soloing, scuba diving, and more. This film, a true postcard of Annaba, a city nicknamed "the charming one," is also, and above all, a pretext for inspiring encounters and a contribution to the development of mountain sports in Algeria.

Brian Blessed plays George Mallory in this intrepid recreation of his ill fated 1924 climb to Everest. Meeting Sir Chris Bonington, Rheinhold Messnerhe learns of the pitfalls that await him before setting off for his epic struggle with the mountain. Against all odds he reaches 26000 feet on the North face of Everest, and is a changed man

In October 2014, Steve Wakeford, a sports broadcast editor, fell 70 metres whilst climbing a mountain known as Les Petites Jorasses in the French Alps. It was a fall that required him to be airlifted out of the mountains suffering from a number of serious injuries and resulted in him being temporarily left in a wheelchair - he is lucky to be alive. At the start of a long journey of rehabilitation, he began to ask himself some serious questions - 'Regardless of injury or trauma, why are we drawn to the mountains in the first place? Is risk an essential part of what we do? Perhaps most importantly, why is it that I am planning to climb the same route from which I fell?'

In the heart of the Hoggar Mountains, Algerian and French climbers meet on the legendary walls of the central Sahara. More than just an ascent, Tissalatine tells the story of an encounter with oneself, with the land, and with history. The film also retraces Thomas Dulac's return, ten years later, to a site he helped to open up. Driven by the profound voice of singer Djam and the vision of director Hamza Mendil, Tissalatine unveils a living, vibrant Sahara, far removed from clichés, in a sweeping epic of adventure, brotherhood, and spiritual elevation.

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A cargo aircraft crashes in a sandstorm in the Sahara with less than a dozen men on board. One of the passengers is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for a replacement aircraft they need to build before their food and water run out.