
Overview
“…It is a film that tells in hurried film sequences and a resonant musical score juxtaposing the sublime, funereal despair of Bartok agains tthe gut-bare tones of folk music. Gates has through his filming technique and meticulously selected mining sites, captured all the outrage and sorrow and indignity to the land and its people that strip mining represents. The film is one that all Americans should see, for it shows extremely well the price we have to pay for strip mined coal.” - Dale A. Burk, The Montana “Missoulian”
Key Film Crew
Production Stats
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This film narrates the story of a community on the coast of the Special Capital Region of Jakarta, experiencing the direct impact of land subsidence and global climate change that jeopardize their area. In an effort to face this crisis, they come up with a unique solution by using green mussels shells for raising the ground to prevent the disaster from engulfing their homes.
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ATUEL is the story of a community and its river; of a river and its community. Everyone in the province of Mendoza, Argentina, lives in one of three oases. The southern oasis, home to the cities of San Rafael and General Alvear, depends primarily on The Atuel River. Yet incredulously, the river remains under threat. People cannot care for what they don’t know and so we decided to ask the river what story it would like to tell about itself. To do so, we travelled its entire length from its source in the heart of The Andes to where it dries out prematurely in the sands of The Cuyo Desert. We’re told we are the first to do so since 1884 and the first ever to do so by boat. 43 days. 480 kilometres. 38 people interviewed about their relationship with the river.
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The narrative Ali Hussein, takes us on an environmental journey through Nasiriyah, revealing the tragedies and struggles faced by people, animals, and plants.
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Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.
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MIEZI KUMI (TEN MONTHS) is a short documentary of the love between Zacharia Mutai, his family and the last two northern white rhinos, which he has to take care of for ten months in a year.
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Tony and Ajani, two mushroom foragers based in Minneapolis, spend the day foraging at a local park and musing on the power of nature.
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Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.
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In "The Cost of Forever", we uncover the hidden and costly dangers of ‘forever chemicals’ in our rivers and drinking water sources, following Riverkeepers and water protectors as they strive to protect communities—and themselves—from PFAS contamination.
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Biologist Scott Gillingwater works to prevent the extinction of the endangered Queensnake.
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Elizabeth Bradford draws inspiration for her paintings from a profound connection to nature through direct observations while hiking or kayaking primarily in the Appalachian Mountains and foothills where she resides.
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The Shrimp is a lush visualist's documentary that follows the life cycle of a shrimp along the marshes of Savannah, Georgia. Beautifully etched images and a canny audio soundtrack create a rich observational work about Southern culture, human folly and the interplay of natural and built environments.








