From My Room

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A young man deals with loneliness and depression.

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

Omnibus film with 13 short films by students of the HfG Ulm

Central explores the limitations of sanity as different facets of her persona usher her through psychosis.

A short experimental film that thematizes dreams and nightmares in a surrealistic way. The basis of the movie is found in the poetry created by the two directors, so the film partly seems like stringed lyrical motifs, open to arbitrary interpretation, giving the impression of poetic images arranged in sequences. Combined techniques were used, so in addition to recording with a camera, pixilation, object animation, collage and liquid animation are featured.

A lonely man tries to enjoy a regular evening

A solitary Frenchman seeks inspiration in a ruined duchy, meeting eccentric figures with their visions of art, madness, and myth. During 15 minutes he wanders across the broken edges of reality and sanity, he questions what form inspiration can still take among fragments of ruins and environment, as the viewer steps into his eyes and ears, discovering beauty within decay.

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An experimental visual project by Ben Hohener.

The Chosen One is questioned about his destiny to save the world from everything.

A friendly employee gives useful tips for your new job, but is interrupted.

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A flicker film, composed entirely of iPhone footage, depicting an implosion of sense.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Two damned women escape from hell and discover the modern world. They are followed by Hades coming to collect their souls.

a young timid boy who is doubtful about faith and religion is beaten by curiosity and ends up wandering into a peculiar church and encountering a celestial yet godlike girl.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.