In mijn Hoofd is Alles Leuker
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Georg is an Austrian retiree whose mother witnessed the crash of an Allied B-17 near their home during World War II. When he takes up metal detecting to find the wreckage, a growing fascination leads him to embark on a heartfelt mission, not only to research the backgrounds of the American crewmembers who parachuted off the plane into enemy territory, but to locate their descendants, to bring them to his Austrian town on the 75th anniversary of the crash, to introduce them to the townspeople who helped their fathers, and to unite his town in remembrance. It’s a story of empathy, resilience, and the enduring power of human connection.
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Books, apps, coaching sessions: Today, happiness is everywhere. We might think that there is nothing wrong with this common-sense concern. But it’s actually the opposite of social reality. So what lies behind this contemporary obsession with happiness and the billions of euros generated by its industry? Philosophers, sociologists, economists and psychiatrists including Christophe André, Éva Illouz, Martin Seligman and Julia De Funès, confront their point of view and decipher one of the most captivating and worrying phenomena of this early century.
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Stéphane and Alizée, two rock-climbers looking for a breakthrough, spend their winter in Catalonia—the perfect place for climbing hard. Their projects lie in the sector called “El Pati” (the playground). Success, more than a physical achievement, seems to be a state of mind.
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The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.
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Taking part in The Voice Kids is already quite something, but for 11-year-old Merna it’s really something special. Her parents had to flee Iraq because they are part of the Christian minority, and IS was threatening to kidnap Merna. They now live in Lebanon, where one in three people is a refugee. The family has been waiting for two years for permission to move on. FaceTiming with her older sister, who stayed behind in Iraq, and cooking her favorite dishes with her mother make the situation more bearable. But what also really helps is singing – this calms Merna and makes her less afraid. She used to sing only in church, but since The Voice her beautiful, melancholy voice touches everyone. Because of her status as a refugee, Merna isn’t allowed to attend the foreign performances with the other finalists, but she’s now a national celebrity in Lebanon.
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The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.
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Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.
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Do you REALLY know what OCD is? Dig beyond the stereotypes in this documentary, profiling multiple people who deal with this mental illness in all its known and often unknown forms every single day.
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"It’s not easy to find a foster family for you," an orphanage supervisor explains to nine-year-old Alicia. "After all, you are a very special girl." Alicia is crying. "I’m not special. I’m just a girl." This disturbing scene sets the tone for this film about Alicia, who was taken away from her teenage mother by the Child Welfare Bureau when she was 12 months old. She’s been living in an orphanage since the age of five, and they have never managed to find a foster family for her. In Alicia, we watch as she becomes a teenager, still craving safety and love. Over the course of three years, filmmaker Maasja Ooms follows her daily life up close. Alicia's yearning and powerlessness are palpable in these observations, which painfully reveal the effects of having no prospects.










