The Pool

Seamus Heaney travels across Lough Erne in Fermanagh, visiting early Christian sites and the settlements of the English and Scots who made their homes on the loughside.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

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During the summer of 2023, my father decided to hang up the boots and walk away from the family business of 25 years. This is my love letter to the cafe in which my family and I have worked, encapsulating the good vibes and cheery nature the business held for a quarter of a century.

The Last Gift: Jim’s Courage, Our Hope is a moving short documentary exploring the intersection of science, altruism, and human dignity at the end of life. The film follows Jim Dunn, a man living with HIV who chooses to participate in UC San Diego’s Last Gift Study, a pioneering research effort enabling people nearing death to donate their bodies to science immediately after passing, helping researchers uncover where HIV persists despite treatment. Through intimate conversations, reflections on mortality, and moments shared with his wife Susan, clinicians, advocates, and scientists, the film reveals Jim’s profound desire to contribute to a future free of HIV. With honesty and grace, it captures the emotional complexity of end-of-life decisions and the extraordinary courage behind them. Jim’s legacy reminds us that scientific progress is built not only on data, but on human generosity, relationships, and hope.

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Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.

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Fifty years ago, aspiring thespians Terry and Carole Ann Gill arrived in Australia from England seeking fame and fortune. But they never quite made the big time. Instead they stumbled into the curious world of children's pantomimes. Over the decades, they have built a successful business and touched the lives of generations of children; but their own dreams have slowly faded. Now aged in their 70s, with their beloved theatre under threat from a greedy property developer, Terry and Carole Ann's careers appear to be coming to an untimely close. As they battle to remain open, they are forced to reflect on the choices they have made in their lives.

Set against the sweeping landscapes of the Flathead Indian Reservation, the film highlights skateboarding’s power to build community, foster confidence, and challenge stereotypes. More than a skateboarding film, it becomes a vibrant portrait of young people who get back up every time they fall.

Julie Wyman’s quest to find her place within the little people (LP) community at a moment when dwarf identity is poised to radically change. As Julie unpacks the rumors of “partial dwarfism” in her family she finds that hers is the last of a body type she has inherited. She joins forces with a group of dwarf artists to confront the legacy of being tokenized and put on display.

The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.

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Documentary film about the sports life of Croatian swimming icon Veljko Rogošić.