The Changing Forest

There are few places on earth that have such a diverse variety of terrain and range of climates concentrated in a relatively small area - temperate coastline, scorching arid deserts and tundra, tropical rainforests and frozen snowcapped mountains. And there are few places that are as heavily exploited by humans, yet remain a wilderness.

A peaceful path with grass along the sides is disturbed by a man that is running and screaming.

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"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. This fictional clothing brand and the ready-for-action poses and portraits of the three models were in many ways the foundation for 'E Kolór Korra' (2017).

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Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

Spreading about 400 km in parallel to the Cantabric Sea, the Cantabrian Mountains, located North to Spain are a natural top wall full of animal and vegetable life that live in an extreme conditions across any year. Making a review along the four seasons, the documentary examines the situation and the relation of the different species, focusing in the brown bear's life in addition with the salmons travel along of thousand kilometers to return home to spawn, showing too the difficult of a landscape where danger is everywhere, including in the smallest size. A fascinating travel for revealing the wonder of nature.

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

Single frames vectorized and stitched before processing through an analog EAB.

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.

Oil spills around Oak Cliff, Dallas.

Compiled and animated from still images.

“Balance of Life” is a film about life’s and human kinds’ fight to find the balance between our own evolving life style and the nature of the planet we inhabit. The human race is drifting further and further away from its real roots and from what being a human is really about. The speed of development has increased to a state where humans have a hard time keeping up. We find ourselves in a situation where both our own and the planets’ wellbeing is severely threatened. As a last resort human is relying on faith to find the balance. Is faith the last defense of man or is this world guided by forces greater than us? Is this force God, evolution or just the mere sum of coincidences that formed the universe, the natural order and laws of physics?’ Watch it here (https://vimeo.com/51203265)

Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.

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