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A 'Vlogumentary' following Joseph as he meets up with legendary street artist: George. Watch as George breaks down the political barriers of society through his wonderful and very serious works.

Saud now lives in Paris, caring with devotion and tenderness for his two young children while closely following the drama in Gaza. “It's hard to be far away.” He speaks sadly of his situation as a Palestinian citizen of Israel. When he accompanies his daughter to school, they both stick up placards for the liberation of Palestine...

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

A staged birthday celebration and a visit to the director’s father’s home. From the interplay of memory and imagination, the film explores how family archives shape fictions of the past.

Between 1904 and 1908, when Namibia was still called German South West Africa and a German colony, up to 60,000 Ovaherero and 10,000 Nama died at the hands of German colonialists. The crimes of the German colonial rulers went down in history as the first genocide of the 20th century. The Afro-German presenter and influencer Aminata Belli travels to the African country to investigate the extent to which the legacy of the German colonial era affects the present day of Namibian society. She pays particular attention to the involvement of the Protestant Church in the subjugation of the indigenous people and the sense of guilt of the descendants of the German settlers as well as the Germans themselves. To do this, the fashion journalist interviews various people on site and pretends to be interested in the following questions: Were the missionaries of the time guilty? How does a country heal when horrific things have happened there? And is reconciliation possible?

Some 40 years after setting foot in Israel for the first time, journalist Pierre Nadeau felt the desire to return there to take stock of the Israeli-Palestinian conflict.

When the running team of Viva Salud, a Belgian NGO fighting for the right to health, went to Bethlehem to participate in the Palestine Marathon, they didn’t yet know that they would do much more than just running. From Ramallah to Hebron, from Nablus to Bethlehem, their encounters with Viva Salud’s local partners helped them gain a better understanding of the situation in the region and discover the daily reality of the Israeli occupation. While getting to know resistance in all its forms, along with the beauty of Palestine, they tried to capture this in a documentary vlog of their journey—a cocktail of rebellion, solidarity, and collective resistance.

One war, ten days, three stories: the Old City of Jerusalem, at the dawn of a new Middle East. For the Brits, it’s the shameful end of 30 years Mandate. For the Jews, it’s the birthday of their State. And for the Palestinians, it’s a catastrophe. Only now, 60 years later, images can be shown from three opposing points of view, telling a whole new story.

Winner of the Jury’s Special Mention at the 18th Al Ard Film Festival in Sardinia, Bank of Targets documents Israel’s targeting of civilian infrastructure in Gaza in 2021. Through a first-hand account of the bombing of a residential building, Sarraj highlights the efforts of journalists to create a record of war crimes as they unfold. Sarraj was killed in his home by an Israeli air strike on 22 October, 2023.

The Grayzone presents a behind-the-scenes portrait of Betar USA, the militant Zionist street group that claims credit for guiding the Trump administration's jailing and attempted deportation of pro-Palestine student activists.

Breaking Ranks: Inside Israel’s War presents the first-hand recollections of IDF soldiers who have broken official silence to share their experiences of the war in Gaza - accounts that may raise serious questions about conduct on the ground and potential breaches of international law. Directed by award-winning filmmaker Ben Zand, the film features exclusive interviews with Israel Defense Forces (IDF), reservists and veterans - many speaking for the first time - who served during the war in Gaza. Their testimonies describe what they recall as indiscriminate bombardment, instances where Palestinian civilians were used as human shields, and an operational culture that some soldiers characterised as “no innocents in Gaza.”

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.

Did you look at the sun for too long, until the shapes of the surrounding world stretched and the colors became distorted? In this music documentary, the band Mikko Sarvanne Garden performscompositions set to contemporary poetry: Heräämisen valkea myrsky, Valo jota pöly juo, and Hiljainen kuin metsä.

In 7 episodes, a subject traverses through various phases of existence. He fully explores different facets of the human condition— a calm birth, a stifled growth, an outrage against injustice, a cumulation of scars, and the return to innocence.

My mother always refused to speak about her childhood during the Cambodian genocide. Upset by her silence, my brother and I decide to follow Antoine, a grandson of Armenian genocide survivors, photographing the ghosts of his ancestors in the Middle East.

A documentary about the sea and memory. Its movement is its form. Its strength.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.