Requiem

While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.

Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.

The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.

Rafael and Fermin are comrades in the republican army during the Spanish Civil War. In the last days of the conflict, Fermin is fed up with the war and thinking about going home, while Rafael writes a letter to his wife which includes a story for their son. This story, inspired by Jack London's 'White Fang', runs in parallel to events in the war and towards a shared outcome.

Robert is a war photographer who moves to an andalusian village after the Spanish Civil War, watching in the population a panorama of sadness and pain. Because of his arrival, stories that happened there in the past resuscitate.

During the Spanish Civil War, a family of farmers must face the fascist threat. Tired of turning the other cheek, they will make an unexpected decision.

Based on the life of Marino Ayerra, who was appointed as parson priest of Alsasua (Navarra) two days before the start of the Spanish Civil War.

Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.

Love story during the Spanish civil war in a psychiatric hospital.

In the last four days of his life, fear took over the figure of the poet Federico García Lorca.

Ángel Pedrosa (Álex González, Fernando Luján) returns to Bruma (Córdoba), his hometown, from where he had to flee during the Civil War. He returns to reconstruct his family's history, to forgive himself, and to remember others. Ángel stitches together the fragments of his life during Spain in the second half of 1939. His first love, the hatred of the post-war period, the intolerance and the passages he went through until he had to flee, hastily, out of his homeland to not return until many years later.

During the early moments of the Spanish Civil War, in a spanish village, Isidoro lives with his father Lucas and his horse Coco. Isidoro witnesses how his father, torn apart by their debts, wages his frustration upon Coco.

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Most people knew Abe Osheroff as an activist. For most of his 92 years - from the frontlines of the Spanish Civil War to the picket lines of the U.S. labor movement, from the struggles for civil rights in Mississippi to his work for human rights in Nicaragua - Osheroff threw himself into the fray with rare energy and enthusiasm. In this riveting and inspiring new film, Osheroff reflects on the meaning of his activism, exploring the ideas that animated his actions and sharing wisdom built up over a lifetime of commitment to the "radical humanism" that defined his politics and philosophy.

Activist, lover, visionary, renegade - For 75 years, Abe Osheroff fought on the front lines of social activism - from the battlefields of the Spanish Civil War to the killing fields of Nicaragua; from the witch hunts of McCarthy to the sharecroppers of Mississippi to streets all across the United States, Osheroff put his life on the line to keep justice alive. Through the unflinching lens of this documentary feature, this master storyteller takes us on an insightful journey inside the defining conflicts of 20th Century activism with irreverent humor and unwavering commitment to a lifetime of engagement. Osheroff's confessions strike a resounding chord in today's world with a singular voice that never stopped chanting "yes we can!"

During the 30s, the young Catalan teacher Antoni Benaiges takes office at a rural school in northern Spain. Antoni has a simple project: he wants to teach his pupils to write and to be free through the use of the printing press. But his dream ends very soon. An individual and collective story in memory of the victims of the Franco's repression.