Abrição de Portas

In this short film, Ivan Cardoso records Brazilian film director Rogério Sganzerla sending a message to Brazil.

This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity

Click for full movie details & trailers.

Seventh art is unique addresses people's relationship with a movie theater or film. What feelings do they feel? What changes in you when you go to the movies? It also addresses Jair Bolsonaro's harsh criticism of culture and cinema in Brazil.

Documentary about Brazilian actress Sandra Bréa.

Click for full movie details & trailers.

The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.

Click for full movie details & trailers.

Click for full movie details & trailers.

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

In 1928, the city of Curitiba went through a rare snowstorm. To this day, it is the harshest snowstorm to ever take place in the city. Everything was recorded by Alberto Botelho in this short documentary.

"Celso: a portrait, a place" is a documentary that emerges from a year of sporadic visits by the documentary filmmaker (until then a convinced agnostic) to the Capuchin complex, a block that is, among other things, a place to preserve the memory of the Capuchin friars in the Serra Gaúcha, southern Brazil. The daily life of the space and the ramblings of the charismatic friar and artist Celso Bordignon are interspersed in an attempt to contemplate aspects of religious life, art, and the awareness of the nuances of the action of time on matter, body and spirit.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

Click for full movie details & trailers.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!