Insustentável: a realidade do petróleo na Amazônia

This film narrates the story of a community on the coast of the Special Capital Region of Jakarta, experiencing the direct impact of land subsidence and global climate change that jeopardize their area. In an effort to face this crisis, they come up with a unique solution by using green mussels shells for raising the ground to prevent the disaster from engulfing their homes.

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ATUEL is the story of a community and its river; of a river and its community. Everyone in the province of Mendoza, Argentina, lives in one of three oases. The southern oasis, home to the cities of San Rafael and General Alvear, depends primarily on The Atuel River. Yet incredulously, the river remains under threat. People cannot care for what they don’t know and so we decided to ask the river what story it would like to tell about itself. To do so, we travelled its entire length from its source in the heart of The Andes to where it dries out prematurely in the sands of The Cuyo Desert. We’re told we are the first to do so since 1884 and the first ever to do so by boat. 43 days. 480 kilometres. 38 people interviewed about their relationship with the river.

The narrative Ali Hussein, takes us on an environmental journey through Nasiriyah, revealing the tragedies and struggles faced by people, animals, and plants.

A documentary that introduces FIT Hives, a student-run organization whose mission is to educate the FIT community about the importance of bees to the environment, the use of bee-derived resources in the industries related to the majors at FIT and its goal to put a beehive on the roof. FIT Hives is a recipient of an FIT Innovation Grant which also supported the making of this documentary.

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

Investigative journalists working for Disclose spent over a year investigating the production chain of the furniture giant which generated a 44.6 billion euros revenue in 2022 and attracts over 5 billion visitors to its stores and website every year. From the boreal forests of Sweden to Brazilian plantations and New Zealand coastlines, they uncovered how IKEA intensively exploits wood around the world, fuels the illegal trafficking of this resource and threatens the last precious European forests. Long overlooked, intensive logging is now sparking outrage and anger among citizens in Poland and the Baltic countries, who are increasingly concerned about the fate of their countries' public forest domains and biodiversity loss. In Romania, where IKEA owns 50,000 hectares of forests, activists are risking their lives mobilizing against the timber mafia. This film tells the expansion of a discreet forest predator, grappling with the limits of the planet's resources.

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MIEZI KUMI (TEN MONTHS) is a short documentary of the love between Zacharia Mutai, his family and the last two northern white rhinos, which he has to take care of for ten months in a year.

On British Columbia’s remote Southside, wildfire is not an abstract threat—it is a lived reality. As flames close in on a frontier community, the Cheslatta Carrier Nation and their neighbours face an impossible choice: evacuate, or stay to protect the land that defines them. With limited access and little outside support, the community responds collectively, drawing on Indigenous leadership, cooperation, and generations of knowledge to confront the fire in near isolation. In the aftermath, the burn reveals a long-erased Cheslatta village site, resurfacing a suppressed history just as their response gains wider attention as a model for resilience. But when the flames recede, new constraints emerge—raising questions about the limits of community-led action, and the fragile balance between survival, autonomy, and authority.

The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.

Tony and Ajani, two mushroom foragers based in Minneapolis, spend the day foraging at a local park and musing on the power of nature.

Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.

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This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity

In this short film, Ivan Cardoso records Brazilian film director Rogério Sganzerla sending a message to Brazil.

In "The Cost of Forever", we uncover the hidden and costly dangers of ‘forever chemicals’ in our rivers and drinking water sources, following Riverkeepers and water protectors as they strive to protect communities—and themselves—from PFAS contamination.

Biologist Scott Gillingwater works to prevent the extinction of the endangered Queensnake.

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