Four Degrees West

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Tourist promo film extolling the delights of Birmingham and the Midlands, with a sprinkling of arch one-liners.

　　Originally created as an installation for the third Shenzhen Independent Animation Biennale this film is a gripping diary and travelogue of a trip the filmmaker made through India. She tries to grasp India’s love and thoughts, the sentiments and everyday conditions and the experience of disease and death.

From dawn till dusk in the bohemian heart of London’s West End. This 1979 portrait of the people and places of Soho catches the neighbourhood towards the end of an era. There's some great footage inside an Italian delicatessen and of assorted street characters. It's a fascinating glimpse into this walled garden of cosmopolitan life on the cusp of the gentrification and commercial interests that have since broken its borders.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

Amateur film featuring government buildings in Delhi, a shooting party in Malakand and winter in Abbottabad.

Amateur film of fishing and geese-shooting trips by a British party in India.

Life in the bustling Punjabi city of Rawalpindi before partition.

This travelogue takes in some of the most important landmarks of Islamic power in India.

Luscious colour photography of the Taj Mahal and a Mediterranean cruise to Port Said.

Two sides of Mysore: down to earth with the field workers and an Indian spectacle for the Maharaja.

Amateur footage of a trip into the Himalaya.

Amateur travelogue of the Kagan Valley and Darband, Pakistan.

Amateur footage of Delhi and Jaipur, from a military review to an atmospheric torchlit procession - and some armour-plated elephants.

This amateur film gives us a fair idea of the opulent life enjoyed by members of the British government in India.

In this superbly produced, two-part documentary, you'll trace the holy city's prophetic history and explore what the Bible professes regarding Jerusalem's fate.

An astonishing English tourist’s view of street life in pre-partition Srinagar and Kashmir.

Inspired by The Seven Valleys, the film follows a solitary wayfarer who steps onto a spiritual journey of self-knowledge, guided not by destination but by transformation. Shot across the historic landscapes of Oxford, the journey unfolds as both an inner pilgrimage and a physical passage that reflects the wayfarer’s movement toward surrender, silence, and submission.