Minha Porto Alegre '50
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Melvin, a teenager, returns to his past in an attempt to remember who he truly was after feeling he left himself behind. He confronts his teenage and childhood selves to reflect on the pains and changes of growing up, realizing that "growing up means losing and leaving behind versions of ourselves." A nostalgic and reflective journey about time, childhood, and accepting the constantly changing self.
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"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.
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After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
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After receiving a phone call, a man feels his inner world come to a standstill. Recalling the event decades later, he relives how everything changed in that moment and reflects on how quickly his life has passed and how his reality was constructed by all the things he repeated to himself like a mantra.
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An old man with dementia tries to remember pieces of his life regarding his wife.
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After All is said and done. A man clears out his childhood home, remembering past conversations.
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Cara X Jagger is an unforgettable love story centered on a pair of young lovers who are faced with the most unlikely dilemma that could potentially make or break their relationship. Cara is doing everything in her power to forget a painful event that ruined her relationship with Jagger while Jagger is fighting to remember his life after he lost his memory due to a terrible accident.
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The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.
