Orphan

Southside Chicago. Crime reports. A Chinese woman. An investigation.The filmmaker, as a newcomer, explored southside Chicago through the filming of a search for a Chinese woman.

The short film recorded a group of children living status in a brick factory.Their parents work here to earn money.Because of the language barrier, living habits and economic conditions, they didn't go to school. But they are living in a wonderful time and they have extraordinary ability to survive......

Strange boy was a child picked up by guangbin when he was young. He was raised, but one day his biological parents found him and took him away. At that time, guangbin was not at home, and there was no address left, only a phone number left. Guangbin has since made a phone call to guangbin every few days, and there is only answering the phone, never replying. One day, he was reminded by the landlord that he met a strange poet who was also a doctor in the villagers' mind. The doctor told him many things he had never heard. He had more questions and seemed to be the answer. After the strange boy returned to the original family, the original family had been broken, and everyone gradually became more and more unfamiliar with him from the joy of his return, until they found the secret of their father, the emergence of the mysterious girl, and the chance encounter with the poet, with a sudden "eclipse Festival" breaking all plans.

Painter Lin Xin tells the story of a thousand-year-old ceramic town in the hinterland of the Loess Plateau in this first experimental documentary "Chen Furnace". The film consists of a 360-degree panoramic prologue and three parts: "Self-Talk", "Bone Style" and "Style". "Fengqing" focuses on the unique scenery of the ancient town's folk customs, houses and famous-tank wall.The film consists of a 360-degree panoramic prologue and three parts: "Self-Talk", "Bone Style" and "Style".The charm and product production process of traditional ceramic crafts such as hand-drawn blanks and engravings are displayed; "Fengqing" focuses on the unique scenery of the ancient town's folk customs, houses and famous-tank wall. The whole film, with its gazing gaze and poetic language, tries to leave in the video the final scene of the "Furnace Never Ending" and the traditional Chen Fa gradually fading away.

There are two roads in the woods. You can only take one of them, and wonder about the other for the rest of your life. Longwu is a temple of no more than 20 monks. When 17-year-old Jime became a junior monk there, he had no idea whether it's better to renounce or to join the secular world. The temple quietly sits in the depths of a mountain.This year, with only 11 monks left, there are not enough junior monks to officially receive the precepts during summer recluse. The temple seniors decide to have three young monks to do this. Jime is fully aware what this means to him. He patiently waits for an answer to dawn on him. On a dark night, Jime takes out the long roll of sutra that he reads every day, and cleans it carefully by a lamp. This summer, someone has come to the crossroad of life. Of the two roads out there, he can only choose one.

A bunch of indie filmmakers came to the grassland，everybody stayed in a tent, just open their mind and be sincere. They made conversations, which were about their confusion for life and be puzzle for artistic creation. Multifaceted sentiments were created. The goats were not vegetarian animal anymore，and the interlocutors were eating goats. An old man wanted to possess a young girl, the so-called artists were actually a tribe of infantile children. The goats were naked and waiting to be sparked…

Li is over 70 years old, he sits in front of his window in the afternoon every day and smokes the cigarette to pass the time. The sound of water drops in the kitchen, two pigeons are roosting on roof of the opposite building, and the sunshine comes into the room, which make Li feel alive. His emotions usually could be fluctuated with the plot of the TV programmes, because he even could find out his own fitful memories from it. One was is the whole family, another one also is the whole family. During worshipping of the ancestors, he listened to his mother's arrangements and felt sincere concern from his brother. However, happy time was so short. After he returned to his rental place, the only thing that he can do is to look at the dream which was outlined in the New Year's Gala, and which gradually away from his dream. Everything just was the same as the past in this new year, he was still feel so lonely.

Unusually popular religions and extreme secular beliefs, unconstrained power and no authoritarian society, people work hard on the land and live thrifty but do not believe in the meaning of life at all. This is Longwang Village, an empty old farming society, the most essential reality of an ordinary western village. The film does not have a perpetual plot. The images are presented with the changing of the four seasons. There is no great joy or great sadness. Everything is recorded, and no results are produced. Strictly speaking, this is actually just a rural video file, a running account of ordinary western villages without all rhetoric.

Only a few days before the Spring Festival of 2008, several truck drivers set off from Nantong, Jiangsu Province, to Guizhou province to deliver goods. But what they didn't expect was that they ran into a big snowstorm not long after their departure. What would these drivers do after they got caught up in a snowstorm and coudn't do nothing about it but wait? How would they react to this unexpected halt? And what would happen to this convoy?

Bao, a blind woman, sings every day on the streets of Peking to make a living. She is caught up in an endless lawsuit in the hope of having some money reimbursed while doing her best to rear Ming Ming, her mentally ill daughter. After a car accident, and to her mother's great despair, Ming Ming decides to drop out of school and become a street artist. History seems to repeat itself.

This is a film about the unison between the four seasons of life and the four seasons of the year, intertwined with the geospatial and temporal dimensions of a small town named Tongchuan situated on the northwest of the Loess Plateau.

An individual's life experience is always a reflection and epitome of the times. Through the environment, literature, oral narration, calligraphy and painting works, this film faithfully records the upbringing background, family circumstances and life of the painter Chen Jiyong. His life experience and mind-watching are an ordinary case of countless intellectuals who have disappeared in the dust of time. At the same time, he has become a sample of images and life statues about this period of history.

The film records the emotions and destinies of seven single women. Whether at a loss, confused, waiting in hope, disappointed, helpless, compromised, independent or defiant, they are closely bound up to this agitated and chaotic era. Through their different experiences they tell us about the failed marriages of middle-aged women, about life being single, and about a group of men who have not yet showed up but who appear vivid from a female perspective.

This is an image of a family. Through the memories of many people, it traces the growth, migration and different life experiences of several generations of the author's family. It shows the destiny of ordinary people and their inner scenery in social transformation. Each generation has its own joy and pain, and life still continues in hope, hardship and helplessness. The various imprints of survival that remain in the film are the hard riverbed of individual life and a period of micro-history washed out by time

This is a documentary filmed in a subjective perspective. Without any commentary, the film records, in the switches and transitions of the faces, the gamut and track of emotions and vision of the author in enjoying the photographs by Koudelka—from the scenes of life in “Gypsies”, to the conflicts in “Invasion”, further to the still images in “Exiles”, and finally focused on desolately dignified “Chaos”. The four chapters of the film echo the four photo albums of Koudelka. With the indoor CD player playing the music by Shostakovich, the invasion of the landscape without the windows, intermingled with the background noise, complicates the ambient circumstances of the film and renders an immediate sense of urgency and relevance.

This is a documentary about faith, narrating the stories of a dozen or so Christians in the city of Tongchuan, in Shaanxi Province. Through the lives and beliefs of four generations of preachers, the film reflects on the profound influence of 50 years of social change on the local church. Whether recounting personal setbacks encountered on the serving path or people’s weaknesses, growth, or disputes within the church community, the film becomes a neutral and faithful portrayal of a group of preachers, of the history of the church community and of the status-quo of belief in this faithless era.

On April 6, 2001, a gas explosion occurred in the Chenjiashan Coal Mine of the Tongchuan Mining Bureau in Shaanxi Province, killing 38 people. On November 28, 2004, a gas explosion occurred in the Chenjiashan coal mine, and 166 people were killed. Five years later, Lin Xin, the son of the miners, filmed this film about mine disasters. Through the oral interviews of more than 20 people, such as miners and family members of the victims, and random interviews on the street, the film presents the real life of the miners and the cruel and complicated social reality behind the mine disaster from different angles. This film is the end of Lin Xin's "Trilogy of Survival".

Twenty plus classmates look back into the past, tracing back through a 30 year history. One after another adapts to the random events that come to shape their lives, to the four seasons of life and nature. The years they were about experience coincided with the reforms and opening up of China. Floating in the changes of the new era, some experience compromises and the loss of ideals, whilst some keep struggling ahead with great determination. Thirty years later, Lin Xin encounters his old classmates, and records their individual lives and history; the ease of monotony, the loneliness of success, the weariness of a life of plentiful, the helplessness of poverty... all come forth in the lives of these group of people, becoming an epitome of the lives of ordinary people in small to middle-sized cities in this era, and at the same time reflecting on a generation that advances forward undefeated.

This is a documentary about the father of a miner. In 1955, more than 300 young people from Shanghai came to Sanlidong Coal Mine in Tongchuan City, Shanxi Province with the hope and dream of supporting the construction of the Northwest. After 50 years, most of the builders of that year were gone. In the land where black coal is buried, the fate and breathing of the miners are always stirring. The film uses 15 clips to record the old miners, the deceased and the era that is still living in the area, witnessing the tenacity and dignity of life with a group of miners. They are: Shu Guoqi, Gu Longxiang, Shen Longgen, Wang Zhengxiang, Yao Hongchang, Ge Dengfa, Zhang Baisheng, Lu Rongchu, Zhou Shougen, Luo Shijun, Ding Fuzhen, Tong Guang, Gao Zhangshun, Chen Yixiang, Zhu Yongsheng.

“If there is any chance, I will let him live well No matter where he is.” The old lady cried and said that when I was visited her and her husband one year ago. Her heartfelt wishes are my motivation, I know that I am going to create this documentary work - the son.