Farewell Shakespeare!

Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the kingdom of fairies have a slight quarrel about whether or not the boy Titania is raising will join Titania's band or Oberon's, so Oberon tries to get him from her by using some magic. But they're not alone in that forest. Lysander and Hermina have there a rendezvous, Helena and Demetrius are there, too as well as some actors, who are practicing a play for the ongoing wedding of Theseus and Hippolyta. Due to some misunderstandings by Puck, the whole thing becomes a little bit confused...

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Two rival acting students are forced to reconcile their differences and play lovers Romeo and Juliet in their final school play, vying for a life-changing prize.

Dame Maggie Smith stars in the 1967 screen version of Franco Zeffirelli's exuberant National Theatre production of Shakespeare's romantic comedy, in which young lovers Hero and Claudio conspire to make sharp-tongued rivals Beatrice and Benedick fall in love with each other.

In the forests of Halland lies an old car workshop run by a dysfunctional raggar family.

Atalay Demirci's show, which brings together hundreds of unrelated stories into a single narrative, filled with laughter every second, and makes you want to watch it again and again, is back on stage with Kel Alaka.

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An ancient family feud casts a long shadow over the town of Verona. In this hothouse of tension, brawls are quick to break out and both sides get caught in the crossfire.

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Adorned with the songs of Safiye Ayla, Müzeyyen Senar and Perihan Altındağ, the movie tells the comedy of two friends looking for treasure.

BLUE LITTLE SILLIES follows a group of theatre kids at their friend's birthday party. Through conversation, dance, and performance, they lovingly celebrate life and art. Made out of resistance against melancholy and awkward birthdays, BLUE LITTLE SILLIES depicts the beauty of intimate gatherings and accepting light.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

Premiering on BBC as a part of their Sunday-Night Theatre program, this 1955 adaptation of Shakespeare's classic play closely follows the original text. The Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

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A soldier in the Civil War suddenly finds himself out of place and out of time.

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As the saying goes, “Shakespeare invented him, Verdi made him immortal” – and, surely, it was Bryn Terfel who defined him. Terfel first sung Falstaff in 1999, and in 2021, the bass-baritone superstar returns once more to the role at Grange Park Opera. In a production by Stephen Medcalf first shown in the 17th century Farnese theatre in Parma in 2011 with designs that are truly Falstaffian including sensational backcloths by Italian supremo Rinaldo Rinaldi.

Three modern witches brew a charm to curse MacBeth, only to be foiled by one of their own.

In the heat of the summer of 1976, drama teacher Vivienne fights sweltering heat and general teenage apathy to put on an end-of-term version of Shakespeare's The Tempest.

Lukman, a man who recently died tries to find his girlfriend in the afterlife.