Seattle Freeway Revolt

This documentary celebrates the Black cultural renaissance that existed in the Greenwood district of Tulsa, OK, and investigates the 100-year-old race massacre that left an indelible, though hidden stain on American history.

Pop star Leigh-Anne Pinnock confronts her experience as the only black member of Little Mix, and as a black woman in the music industry. She embarks on her own very personal journey to understand how she can use her platform and privilege to combat the profound racism she sees in society around her.

New law targets discrimination in housing and employment.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

Based on A Few Days Full of Trouble by Reverend Wheeler Parker, Jr. and Christopher Benson, the feature doc will explore two parallel tracks of the Till story. One set in motion by the last four years of an FBI investigation with details never before revealed, including significant new revelations of the case and its discoveries. The traumatic memory of Parker Jr., last surviving witness to the crime and Till’s cousin, drives that investigation. The second track is a deep immersion into the latest, proprietary findings, as high schoolers prepare for a reenactment of the murder trial of two of Till’s killers, Roy Bryant and J.W. Milam.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities is a documentary about the slums of four different metropolitan cities.

Filmmaker Malini Schueller examines police brutality against minorities and the dangers of overmilitarized campuses.

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

Cranes and Voices follows, on one side, people who hear voices and share their daily lives, and on the other, a collective of tenants who investigate their neighbourhood through its noises, its vibrations and its construction sites. The film moves through apartments, streets, meetings and moments of sound creation, where voices, urban noises and recorded materials are transformed into collective sound compositions and spaces for exchange. Sound appears here as an ambivalent force, at once invasive and generative, shaping the way we inhabit the city, other people and ourselves. Cranes and Voices invites us to pay attention to these singular listening experiences, to hear what they reveal about the housing crisis, about how mental health is viewed and about the ways we organise our shared spaces.

People are interviewed in Dresden, Ontario, to sample local attitudes towards racial discrimination against black people that brought this town into the news. After a round-up of the opinions of individual citizens, white and black, commentator Gordon Burwash joins two discussion panels, presenting opposite points of view. The rights and wrongs of the quarrel are left for the audience to decide.

Documentary film about four families in Pori, Finland, all struggling with unemployment and poverty.

Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.

Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.

In the midst of a catastrophic steel industry collapse, a remarkable grassroots community effort leads to a national healthcare program that helps more than 200 million children...and counting.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.

This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity