Kilimanjaro: Going For Broke

Avid for steep slopes, Marco Siffredi (1979-2002) obeys only one rule: not to fall. This gifted kid with hair sometimes blond peroxidized, green or blue clashed in his valley: Chamonix, mecca of mountaineering. His thing was to go up and down on a snowboard. . 90 minutes September 8, 2002, altitude 8848 meters, rare oxygen, his head already brushing the sky and his snowboard running, Marco Siffredi, 23, rushes from the summit of Everest in the Horbein corridor and its slopes at 50 degrees . A year earlier, he had already made the first descent of the mountain on a snowboard. But there remains another corridor… more direct. It's not a challenge, just a reason to be... However, that day, at the top of the roof of the world, his trace is lost...

Adventure in Bleau is a documentary about bouldering that takes place in Fontainebleau. Directed by Jean-Paul Janssen in 1980 and produced by Antenne 2, it is part of the series "Les Carnets de l'Aventure" and broadcast on the same television channel. It features different generations of the finest free climbing artists of the time: Patrick Edlinger, Catherine Destivelle, Lucien Bérardini, Jean Pierre Bouvier, and Bertrand Roche 'Zébulon'.

Seventy-five years after Brad Washburn, one of the greatest aerial mountain photographers of all time, first shot Alaska’s Denali Mountain from the open door of an airplane, climbing buddies Renan Ozturk, Freddie Wilkinson, and Zack Smith look at some of his mountain photographs and have this crazy idea. Rather than go up, their dream is to go sideways across the range’s most foreboding peaks, the Moose’s Tooth massif. It’s a fresh new way to explore the same landscape Washburn first discovered. As the group endures rough conditions, disintegrating ropes, and constant rockfall, their desire to be the first to complete the audacious line grows into an obsession. But friendships begin to fray when Renan suffers a near-fatal brain injury, forcing all three partners to decide what’s most important to them.

Five young Italian climbers, Paolo Grunanger, Lorenzo Marimonti, Pietro Meciani, Lodovico Gaetani and Giorgio Gualco, members of the expedition organized under the patronage of the Milanese section of the Italian Alpine Club, reached Tamanrasset, in Hoggar, the Tuareg kingdom. From there, with a caravan of camels, they head towards the mountainous volcanic chain of Tahalra, little known to Westerners. During the exploration, climbers will climb seven virgin peaks via very difficult routes and at the same time carry out topographical surveys.

Voyage en face sud (Journey to the South Face) is a mountaineering documentary by Patrick Cordier and Jacques Ramouillet that shows the first solo ascent of the south face of the Aiguille du Fou in 1976 by Patrick Cordier himself. The climb was filmed by Jacques Ramouillet from a nearby ridge. Pierre Torlasco was tasked with belaying Jacques Ramouillet while he filmed. For this filmed ascent, Patrick Cordier opted for the dress code of his time—white clothing, bell-bottom trousers, and a headband—rather than the traditional mountaineering attire. The film was presented at the Trento Film Festival in 1977 and at the Gala de la Montagne (Mountain Gala) at the Salle Pleyel in Paris.

Portrait of Jean-Claude Droyer, a famous French climber and mountain guide. He is known for having participated in the rise of free climbing in France in the late 1970s. Trained at the climbing schools of Fontainebleau and Saussois, he distinguished himself in 1965 by solo climbing the Pentecôte route at Glandasse. He also made first ascents in the Verdon Gorges, winter ascents in the Prealps and the Mont Blanc massif, notably in 1971 the first solo ascent of the Directe Américaine on the west face of the Drus. The film was selected for the "Les Écrans Documentaires" festival in 2004.

Blind climber Erik Weihenmayer and his team's highly successful ascent of Mount Everest along with four other remarkable milestones on the mountain. Time magazine called this the most successful Everest expedition of all time.

Lucien Berardini and Edmond Denis are two mountaineers who took part in the French expedition to Aconcagua (Andes Mountains) in 1954. Both suffered severe frostbite to their fingers and toes, and three years later, they set out to climb the Aiguille du Géant, a legendary route in the Mont Blanc massif. The camera closely follows the efforts of the roped party, an example of strength and self-sacrifice, until their victorious arrival at the summit.

The two brothers Jean and Pierre Ravier have opened almost all the "classic" (difficult) routes in climbing and mountaineering in the Pyrenees. Roped together at the waist using a few flat knots and little equipment, the two twin brothers achieved more than 200 firsts across the entire massif. A unique style and commitment, a state of mind made up of adventure, literature, inventiveness and friendship. Unclassifiable and outgoing, after 60 years of Pyrenees, their desire for the mountains is intact. When does a race start? How does the idea, the desire, come about? What sense does it make to only achieve firsts? And what is the role of the Pyrenees themselves in this reciprocal and endless game of attraction?

The story of the ascent of the Aiguille de la République by mountaineers Jacques Fromentin and Michel Bastien. The Aiguille de la République, in the Mont-Blanc massif, culminates at an altitude of 3,305 meters among the Aiguilles de Chamonix group of summits. In the Fontainebleau forest, children learn mountaineering techniques on the bouldering climbing site. In 1954, rock climbing was also practiced in the Chamonix valley. The Montenvers train crosses the viaduct taking tourists or athletes to the Mer de Glace viewpoint. The two climbers take an approach step and reach the Envers des Aiguilles refuge. They then climb this steep and smooth wall, progressing along the ridge. On the platform, a rope throw allows them to climb up and sit at the top to dominate the panorama. Then the return: abseiling from the summit block.

Three years after the 1959 expedition, abandoned 350m from the summit, Lionel Terray leads a new assault on Jannu, one of the most demanding peaks in the Himalayas. At the base camp, equipment and food rations are prepared. The conditions are optimal and the ascent can begin. The camera follows the progress of the mountaineers and Sherpas as closely as possible, from one high-altitude camp to another: installing fixed ropes, progressing over crevasses, in the middle of frozen towers, vertically down immense ice falls or along the edge of sharp ridges. From 7000m, oxygen bottles become essential, as the difficulty of the climb prevents acclimatization. The expedition is a total success: the majority of its members reach the 7710m summit.

The word Pyreneism was invented by the writer Henri Beraldi at the end of the 19th century. Its definition did not come down to a simple practice of mountaineering in the Pyrenees. To be recognized as a Pyrenean, it was necessary to “ascend, write and feel”. An approach to the mountains, according to him, necessarily accompanied by an artistic or intellectual activity. This documentary looks back at the Pyrenees who have left their mark on history, before interviewing contemporary mountain dwellers who, through their mountain practice, consider themselves, or not, Pyreneanists. What prompted Beraldi to coin this term? Does it result from a Pyrenean complex facing the Alps? Chauvinism or a demand for identity? And today, does this word still have meaning? Beyond the reflection on the subject, this film is a wonderful tribute to the massif.

Yûichirô Miura, the man who skied down Everest, journeys to an 8,000 foot mountain in the midst of a frozen antarctic wasteland to experience the incomparable thrill of skiing where no one has skied before.

Sahara - Hutsetik Haitzera is a mountain documentary about the climbing of Tizouyag Nord in the Hoggar Desert in Algeria by the Spanish Basque team composed of Alberto Iñurrategi, Jon Lazkano, Juanjo San Sebastián, Jon Beloki and Asier Aranguren. Made by climber Alberto Iñurrategi in 2002 and produced by Iñurrategi Anaiak, it is part of the Oinak Izarretan series.

Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.

In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.

Follows Line van den Berg and Fay Manners to the ephemeral landscapes of the Scottish Highlands, on an ambitious mixed climbing mission beset by typically fickle weather. Despite the numerous obstacles they encountered, the most unexpected twist was yet to come. Tragically, since filming, Line lost her life in an avalanche in the Swiss Alps. The film was finished in her memory.

Mont Blanc, the roof of Europe, attracts the attention of mountaineers from all over the world, from seasoned climbers to novices. With its extensive media coverage, this mountain represents a dream of adventure for an ever-growing audience. Catherine and Maël, natives of Chamonix, also dream of reaching its summit. But climbing the giant of the Alps is a major undertaking that requires rigorous high-altitude training. Aware of the risks, the two novices enlist the help of Jean-Paul Lemercier, a high-mountain guide. He will give them the opportunity to learn about this challenging environment during a "Mont Blanc Course," which includes ice climbing school, two acclimatization peaks, and the ascent of the legendary mountain over three days. Set against the majestic backdrop of the Mont Blanc massif, this film retraces their preparation, their attempts, and the realization of their dream, day by day.

The ascent of Mont Blanc takes two days. First, you have to climb the Aiguille du Goûter, at the summit of which, at 3,817 meters, clings the Goûter refuge, a small metal box where you spend the night. The climb is 1,500 meters long, including some of the most technical sections. 2:00 a.m. The alarm rings, and Carole Dechantre and Jean-Paul Lemercier begin their ascent of the Dôme du Goûter by the light of their headlamps. With the first rays of sunlight, the Arête des Bosses is illuminated. Already, the surrounding mountains seem smaller. One last effort, and they finally reach the summit of Mont Blanc, the roof of the Alps, at 4,810 meters.

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.