The Mirror and the Window

This film explores the lives of those men and the memories of those left behind: the childhoods they shared and the choices they made. These men, now in their 60s, reflect on what has happened to their generation, why most of their friends and relatives died so young and how this particular apartment block captures the story of a whole generation. The voices and lives of the departed are included in clips from amateur videos from the 1990s. Set against the background of old friends’ attempt to understand their deaths, this film is about nostalgia and how memories kindle a special kind of love for home.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

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A tale about the new worldwide trend that embraces the concept of Slow-Life: taking a step back from today's chaotic, hectic life to embrace an everyday simpler life, enjoying every step of it with all our senses.

Varanasi is the Indian city where Hindus go to die. Stretching along the Ganges, Varanasi holds great spiritual significance because Hindu scriptutres say that anyone who dies there will attain moksha—liberation from the cycle of rebirth. Berlin-based director Dan Braga Ulvestad captures life and death in India’s heartland in this moving documentary filled with exquisite cinematic moments. By the River starts its narrative journey with the city’s “death hotels,” dedicated apartments where people wait to die, sometimes for decades, so they can be cremated on the banks of the Ganges.

In this documentary, we examined the life of a woman who works in a crematorium This woman has decided to devote her life to the delicate task of burying the dead, despite the taboo and stigma attached to her profession. Her experiences in a field dominated by men, the emotional cost of working with human remains, and their particular outlook on life and death are all revealed via their stories. Beyond the Flames provides these frequently ignored women a voice and highlights the significance of their contributions to our culture

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

Examining one of the most baffling unexplained deaths of recent years. In August 2010, Gareth Williams, a GCHQ employee on a 3-year secondment to MI6, was found dead inside a padlocked duffle bag in the bath of his London flat.

Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.

Discover the untold stories of D-Day from the men, women and children who lived through German occupation and Allied liberation of Normandy, France. Powerful and deeply personal, THE GIRL WHO WORE FREEDOM tells the stories of an America that lived its values, instilling pride in a country that's in danger of becoming a relic of the past.

Tímamót, or Changes in English. An upbeat, heartwarming story about Gudjon, Sigurbjorn and Steinthor who lived together for decades along with several other inhabitants in the Tjaldanes Institution, in a peaceful valley close to Reykjavik. When a decision is made to close down the institution, their life takes an unexpected turn and they discover a new side to life and to themselves.

A short film that navigates the filmmaker's intimate journey with death and other fears. Through the filmmaker’s inner monologue, the film explores the universal struggle with mortality.

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A light and somewhat satirical look at the problems and pleasures of Continental holiday travel. A passenger on the Hook Continental Express from Liverpool St. imagines the possible destinations of his fellow passengers.

At 34, French traveler Dimitri Poffé tested positive for Huntington's disease, a rare, hereditary, incurable disorder that slowly erodes body and mind. His father died of it; his sister has fought its symptoms for over a decade. Genetic studies predicted Dimitri's own symptoms would begin between 35 and 40 — a countdown he could not stop. Rather than wait, he got on a bicycle. Alone, he rode 18,000 kilometers from Mexico City to Ushuaia, crossing deserts, jungles, mountains and endless plains, a route as unpredictable as the disease itself. What began as defiance became something larger: a story of resilience, solidarity and the strength to reclaim life on your own terms. More than a test of physical limits, The Present is a reminder that when the future is uncertain, the present is still ours to live — one pedal stroke at a time.

It is the story of an encounter, that of two men, that of a coffin meeting its hearse, of death inviting itself into life or perhaps of life inviting itself into death. This encounter follows an advert on Leboncoin: “Solid oak coffin, varnished. Excellent condition. Large size. Its particularitý is to have the place for the legs embedded. It is not padded inside. Does not fit in an oven, hearse or traditional vault. Difficulty to get through doors (…)”

This award-winning documentary journeys deep into Brunei’s cultural heart, exploring its monarchy, faith, language and stories of resilience, a stunning portrait of a nation in transition.

“And in that moment, 3:13am on a Monday, standing at the morgue of Hospital Sungai Buloh, 3rd July 2017, all I saw was red. The red velvet silk flowing down his forehead. The burgundy flow of his bruised and battered face. The whites of his bone peeking through red satin where once adorned his favourite ring. I saw it. His face. His body. His finger. I saw him. Inside and out. Unrecognisable. Fucked up. Dead.”

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?