Podivín

Tiago Guedes returns to Dennis Kelly, the British playwright with whom he has already enjoyed success in his dizzying descent into the depths of human complexity. After Órfãos, the director and stage director now tackles The Ritual Slaughter of Gorge Mastromas, a 2013 text about the banality of evil in the person of the man that Kelly's play scrutinizes in retrospect: "Existence is not what you thought it was until now. It is not honest, it is not kind, it is not fair. Most of the world has no idea about this; they believe in God, or Daddy, or Marx, or the invisible hand of the market, or honesty, or kindness. They go through life with their eyes closed, getting beaten up and screwed over. He's like that. You're like that. But a tiny part of us, let's call ourselves the resistance, knows the true nature of life. The world is ours for the taking. We are powerful and rich and have everything, because we will do whatever it takes.

"Man Hastam" is a unique adaptation of the Ferdowsi's tragic drama "Rustam-o-Sohrab". The play opens with Shah of Turan, Afrasiyab who is guided by the Prophet Paisgoh in an attempt to retain his throne. Raised in darkness, Sohrab is unaware of his genuine lineage and turns into a soldier looking for his father, whom he believes to be the finest of all warriors. Under Paisgoh's direction, the Shah stages a fight between the legendary Persian hero, Rustam, and his own son, Sohrab, both unaware of their relationship. Themes of manipulation, destiny, identity, and the terrible might of war are investigated in the play. It explores the human cost of political scheming and the terrible effects of misinterpretations. With its deep emotional resonance, "Man Hastam" is a meditation on the inevitable clash between personal honor and the manipulative forces that drive individuals to conflict.

In a miserable, freezing two-room apartment on the first floor of a building, the Ruòppolo family lives in complete poverty. Giovanni, a clerk, struggles against a thousand difficulties to make ends meet, while his wife, Cristina, takes care of the housework.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.

A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.

Click for full movie details & trailers.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.

The story revolves around three characters Hasubhai (Siddharath Randeria), his daughter Kajal (Leena Shah) and his Manager Rasik (Ashish Bhatt). Having a typical Baniya mentality, Hasubhai wanted his daughter Kajal to marry his employee Rasik. However, Kajal is in love with an Ad film Maker. The laughter ride begins when Hasubhai and Rasik take the challenge to induce Kajal for marriage. Will Hasubhai and Rasik win the battle? To find out, watch this breathtaking humorous play. Starring: Siddharth Randeria, Ashish Bhatt, Sachi Joshi, Leena Shah, Rahul Patel, Suraj Vyas,Tanvi Abbas, Himanshu Upadhyay, Mulik Pathak, Krupa Chandera, Yatin Parmar Directed By Siddharth Randeria

On the spare stage of J. Svoboda, director M. Macháček focuses on exploring the relationships between the characters and their motivations. In this version, the story is gradually revealed like a detective story, from the ghost’s message through the play-within-a-play to the murderous finale. Though not originally received well, the production became a Prague theatre hit before closing in 1988.

At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.