Death Is But a Dream

This film explores the lives of those men and the memories of those left behind: the childhoods they shared and the choices they made. These men, now in their 60s, reflect on what has happened to their generation, why most of their friends and relatives died so young and how this particular apartment block captures the story of a whole generation. The voices and lives of the departed are included in clips from amateur videos from the 1990s. Set against the background of old friends’ attempt to understand their deaths, this film is about nostalgia and how memories kindle a special kind of love for home.

Varanasi is the Indian city where Hindus go to die. Stretching along the Ganges, Varanasi holds great spiritual significance because Hindu scriptutres say that anyone who dies there will attain moksha—liberation from the cycle of rebirth. Berlin-based director Dan Braga Ulvestad captures life and death in India’s heartland in this moving documentary filled with exquisite cinematic moments. By the River starts its narrative journey with the city’s “death hotels,” dedicated apartments where people wait to die, sometimes for decades, so they can be cremated on the banks of the Ganges.

In this documentary, we examined the life of a woman who works in a crematorium This woman has decided to devote her life to the delicate task of burying the dead, despite the taboo and stigma attached to her profession. Her experiences in a field dominated by men, the emotional cost of working with human remains, and their particular outlook on life and death are all revealed via their stories. Beyond the Flames provides these frequently ignored women a voice and highlights the significance of their contributions to our culture

Examining one of the most baffling unexplained deaths of recent years. In August 2010, Gareth Williams, a GCHQ employee on a 3-year secondment to MI6, was found dead inside a padlocked duffle bag in the bath of his London flat.

When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.

A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.

Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.

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A short film that navigates the filmmaker's intimate journey with death and other fears. Through the filmmaker’s inner monologue, the film explores the universal struggle with mortality.

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It is the story of an encounter, that of two men, that of a coffin meeting its hearse, of death inviting itself into life or perhaps of life inviting itself into death. This encounter follows an advert on Leboncoin: “Solid oak coffin, varnished. Excellent condition. Large size. Its particularitý is to have the place for the legs embedded. It is not padded inside. Does not fit in an oven, hearse or traditional vault. Difficulty to get through doors (…)”

The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?

Janneke has been working as a volunteer in palliative terminal care for over twenty years, both in the hospice and in people's homes. In The Night Watchman we see Janneke both in her daily life and while waking. Scenes in which surprising parallels and paradoxes show Janneke's position in her life and how they seem to embrace death at first sight.

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A heartfelt look at the life of a wonderful person and the legacy she has left behind, looking into her love, patience, kindness and the grief of her passing.

The Last Gift: Jim’s Courage, Our Hope is a moving short documentary exploring the intersection of science, altruism, and human dignity at the end of life. The film follows Jim Dunn, a man living with HIV who chooses to participate in UC San Diego’s Last Gift Study, a pioneering research effort enabling people nearing death to donate their bodies to science immediately after passing, helping researchers uncover where HIV persists despite treatment. Through intimate conversations, reflections on mortality, and moments shared with his wife Susan, clinicians, advocates, and scientists, the film reveals Jim’s profound desire to contribute to a future free of HIV. With honesty and grace, it captures the emotional complexity of end-of-life decisions and the extraordinary courage behind them. Jim’s legacy reminds us that scientific progress is built not only on data, but on human generosity, relationships, and hope.

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A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.

Well-known Croatian author Pero Kvesić, who has been struggling with a severe lung disease, documents his death from his own point of view. Recording his everyday struggle, the picture resembles a peculiar blog filled with self-irony and witty comments about life and death. Although the world around continues to shrink, the hero and the director in one does not cease to fill it with sense.