Ženy do boja za mier

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A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.

Document about the experiences of peasants from the first joint harvests of the unified agricultural cooperative in Vinařice.

Agitka about a peasant who joined a unified agricultural cooperative when he became convinced of the benefits it provides.

Promotional film about the benefits of joint farming in unified agricultural cooperatives in Slovakia.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

A record of the series of creative actions and public interventions staged by San Francisco artists in the early 2000’s in response to the escalating rents and evictions brought on by the first wave of tech, the so-called “dot com boom.”

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Mr. Prokouk postpones the filming and decides to leave for the agricultural brigade.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

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Meet three men, who grew up in Vidsel, a small village in the north of Sweden. The men feel its hard to find a life partner, they have all found their love in Thailand.

Behind the scenes look at the cult comedy series about Kiwi folk musicians Bret and Jemaine trying to make it big in their adopted home of New York. It follows the duo in the United States before and after the release of the first series, as they speak candidly about the road to fame, and we meet the other personalities, cast and crew that helped make their show a smash hit in America, NZ and the rest of the world. As Bret McKenzie's long-term partner, director Hannah Clarke was in a unique position to gain access to the Conchords at their most relaxed, as well as their most frantic and exhausted, and was able to get an up-close-and-personal glimpse into this experience. Through her insider's eye we are granted an intimate look into the lives of this great comedy act and discover how they won the hearts of America.

A slice of life documentary featuring Marina Cole, a chainsaw carver who turns driftwood and other recycled materials into beautiful works of art.

FRONTLINE and NPR investigate the growing inequities in American healthcare exposed by COVID-19. The Healthcare Divide examines how pressure to increase profits and uneven government support are widening the divide between rich and poor hospitals, endangering care for low-income populations.

A father teaches his daughter the ancient art of hand pulled noodles

A documentary on the events of the Gama strike. A contractor operating in Ireland was paying its Turkish employees exploitative wages far below trade union rates. This is the story of how these workers fought back.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).