Aleš II.

For nearly half a century, Dale Chihuly has traveled the world, creating and installing his artwork. From sculptures to large-scale installations, his blown-glass works revolutionized the American studio glass movement. In Short Cuts III, Chihuly's role as both artist and teacher is revealed, uncovering the stories and the process behind some of his most celebrated projects, from working with students in his hometown of Tacoma, Washington, to exhibitions in prominent botanic gardens worldwide.

Vincent Castiglia paints in human blood.

In 2014, businessman Cédric Naudon announced that he would launch the Jeune Rue project in Paris's 3rd arrondissement: a street that would become a hub for luxury, design, and gastronomy. The Parisian elite was thrilled to hear Naudon's plans. But this utopia ultimately turned out to be an empty shell.

Filmed from the last night of Tihar, festival of light, in Kathmandu 2025, exploring colour, light and stillness.

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A short video documentary on Larry Janiak's time as an instructor at the Institute of Design in Chicago, where he taught undergraduate and graduate students for 12 years. Aaron Siskind hired Larry in 1968 to start an experimental live action and animated film area at the school. A narrator introduces Larry's career and achievements at the school and guides viewers through the animation filmmaking area. The film primarily features footage of a beginning animation course taught by Larry.

The film seeks to address the risks that Ziraldo's work takes. In a building abandoned ten years ago, the cartoonist's "Santa Ceia", a six-meter-high work painted in 1967, is far from the public and subject to the effects of time

An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.

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Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in Berlin Neukölln for many years. Every weekend he invites guests to shamelessly recount from his life and to sing poetic songs written with his friend from Hollywood Jose Promis. Juwelia has been poor and sexy all her life, has always struggled for recognition, but only partially.

The Faraway Nearby follows the tragic life of pioneer physicist Joseph Weber, whose pursuit of gravitational waves takes him on a dizzying journey from the height of acclaim to the depths of despair and disdain when he breaks the cardinal rule of science and clings to his ideas though his results can't be duplicated. Physicists, artists, and other creatives explore the emotional side of discovery and question whether the risk is worth the journey.

What does modern art mean for ordinary visitors to an exhibition?

A body lurchs through the university.

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A Weaverly Path offers an intimate portrait of Swiss-born tapestry weaver Silvia Heyden. The film captures the inner dialogue and meditations of an extraordinary artist in the moments of creation. Heyden works for over a year to create works inspired by the Eno River in Durham, North Carolina. And she shares how nature, music, her Bauhaus inspired education at the School of the Arts in Zurich and her life experiences anchor and inform her art. Heyden was a 20th century modernist whose body of work redefines the art of modern tapestry.

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For both Aboriginal and non-Aboriginal Australians, Captain James Cook is a figure of great historical significance.

This film explores the transformation of an image from color negative to color positive on one film stock. “The Still Life“ was painted its color negative during the filming and then the exposed film was processed and printed on color negative printstock.