Azerbaijan: Forts of Azerbaijan

The film is about Azerbaijan.

A research on prehistoric Petroglyphs of Arasbaran area in Azerbaijan province of Iran, and the megaliths of Pirazmian area as signs of a lost civilization.

The history of Iranian Azerbaijan from the Medes era to the Sasanian Empire and from Takht-e Soleyman in Atropatene to St. Thaddeus Monastery (AKA Qara Kelisa).

History of Iranian Azerbaijan from Oghuz Turks to the Qara Qoyunlu rulers who built the Blue Mosque (Pers. Masjed-e kabud); and to Hasan Padeshah Aq Qoyunlu who chose Tabriz as their capital.

Story of Azerbaijan, from Sheikh Safi-al-din Ardabili to establishment of Safavid dynasty by King (Shah) Ismail in Iran, and Sheikh Safi-al-din Khanegah and Shrine Ensemble in Ardabil.

Azerbaijan in the era of the Qajar dynasty and Russo-Iranian wars at the sides of Aras river, also The Persian Constitutional Revolution in Tabrizi until death of Sattar-Khan (National Commander) in Tehran.

In October, during the tense days of the Nagorno-Karabakh war, the director takes his camera to the village of Ashagi Nuvedi in Lankaran. The film follows the daily lives of fishermen — Sakhavat, Ramesh, Rza and Tehran — living in the shadow of the war. They go out to sea every morning amid news from the front, fearing empty nets, and hoping for a miracle — a goldfish in difficult days.

An uncle and his nephew travel to the capital to sell fruits and vegetables. On the way, they sell a sack of “thyme” that was meant for someone else. It turns out the sack didn’t actually contain thyme. Escaping from the owner of this deposit — worth millions — turns out to be a complicated matter.

After arriving at his new, remote Army outpost, Capt. John Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide – a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.

Akif's parents, Ahmet and Elnara, who grew up illiterate and without any profession, without love, took Akif out of school and were busy looking for a job for him. A poor family living in a poor house turn to Akif's drug addict uncle Azer, who is engaged in car repair, to provide him with a job. Moreover, Elnara's brother, Mansur, who works as a laborer, took refuge in this poor family so that he would be free from additional expenses. In the background of all this poverty and chaos, a murder occurs at home. The murdered person is hidden and is being searched for by both relatives and the police as a missing person.

On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.

A team of allied saboteurs are assigned an impossible mission: infiltrate an impregnable Nazi-held island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.

The Olsen gang in Jutland. Ones again Egon Olsen has a plan when he gets out of Vridslose State Prison. He has found out that the Germans left a large sum of money (in American dollars and gold bars) in one of their commando bunkers, when they were defeated in 1945; the only problem it's in Jutland. Egon, Benny and Kjeld "appropriate" a car and drives to Jutland along with Kjelds wife and child Yvonne and Borge. They look forward to fooling the the people in Jutland, but of course, things don't go quite as planed. It ends with Benny, Kjeld, Borge and Yvonne sitting in the train back to Copenhagen, were they are overtaken by Egon in his car on the road next to the track. This is the last time the Olsen gang goes to Jutland.

The events in the film are based on the life of the Scholler family of German origin, who lived in Azerbaijan since the 1940s.

The film is about the breeding of the famous Karabakh horses at the Aghdam equestrian factory.

The months of struggle people of Bashlibel had to overcome to live during the first Karabakh war and their escape into safety.

Faced with the wreckage of a failed film project and the turmoil of his troubled youth, a young filmmaker, urged by his friends, seeks refuge in therapy. Each session becomes a battleground where he confronts his deepest fears and darkest nightmares. As his life unfolds in the therapist's office, a glimmer of hope emerges amidst the chaos. Yet the journey is fraught with peril, forcing him to confront painful memories and insecurities. Through unwavering determination, he triumphs over his nightmares, emerging from the shadows reborn and renewed. This film is a testament to the power of the human spirit, offering hope even in the darkest of times.

Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.

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The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.