The Kaipara Affair

Covers the 12-week-long strike at Kinleith Pulp and Paper Mill, owned by New Zealand Forest Products in January 1980.

The New Boats is an investigative documentary that presents an eye-opening look at the impact of international industrialized fishing in West African waters and its disastrous effect on local communities at a critical point in Sierra Leone's history.

In Paul Brandt’s filming debut, he joins friend Paul Norris and legendary fly-fishing guide, Naoto Aoki, on a journey that is both a look into his consuming passion for fly fishing and an ode to his hometown of Calgary, which he dubs as the World’s Largest Fly Fishing Lodge.

Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous.

BEYOND CONVERSION is a deep-dive into conversion therapy in Aotearoa through the eyes of Kiwi conversion therapy survivors.

There's No Fish in Lake Michigan is a short documentary exploring salmon's surprising presence in Chicago and the communities, industries, ecology, and history surrounding it. Made by Allegra Hatem, Macallister Rescorl, and Joshua Silver.

A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.

Delegates and workers discuss the issues that effect the Timberworkers’ Union, the reasons for the formation of the Combined Council of Timber Workers Delegates (CCD) and their industrial action.

An insight into the fishing business in the North Sea.

The Maharajah of Kapurthala and guests travel on elephants and men catch fish on the River Bias.

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This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.

A documentary about the history of settler groups that came to New Zealand from Europe.

Every day, fishermen venture out into the polluted waters of Sepetiba Bay to provide for their families, searching for what remains of the region's marine life.

Who is driving a violent, misinformed New Zealand, and why? Fire and Fury is a Stuff Circuit investigation into disinformation in Aotearoa New Zealand.

Report on a trout and pike fishing excursion on Lake Waconichi.

I have returned to the island were I grew up. My dad has spent thirty years alone at sea fishing lobster. He was taught the trade by his dad, who learnt from his dad. A heritage pasted down from father to son. My father never got a son, only daughters and since I was a girl no one assumed I was interested. After I turned eighteen I left Sweden and moved to Australia. After a decade abroad I started to long for home. I return to the island to see if I have it in me, can I learn the things I was never taught as a child? Will the legacy fade with me or can I become the family's next lobster fisherman? /Karolin Axelsson

Olympic Champion, Kiwi Icon, Tongan Leader, Orphan, Mother...winning was just part of the journey.

MORENA tells the uplifting story of the Philippine National Surf Athlete Ikit Agudo, who overcame the pressure to blend into a society obsessed with skin whitening. Within the ocean, she found happiness, strength, and pride in her roots. Inspiring young girls around the world to embrace who they truly are. In the Philippines, skin-whitening remains a billion-peso industry, a legacy of colonial beauty ideals that for generations have led many to neglect their true identity and natural beauty.

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.