Top Cast
Tony Gardner
Grey
Richard Attlee
Psychiatrist
Key Film Crew
Production Stats
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Before Sammy, his best friends were stuffed animals. Larry, an eccentric amateur taxidermist, works for Animal Services picking up road kill along the highway. Socially isolated, he's retreated into an emotional state where his only companions are the animals he's stuffed.
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A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.
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Perihelion is a sort of animated tone poem. It is a short film that toes the line between narrative and non-narrative, essentially having no real beginning, middle or end.
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Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.
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Sister Patrocinio is a nun who is stigmatized by Christ in her hands and feet. Although some believe in this mystical fact, others suspect of manipulation and take it to the court of justice.
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A statue, with outstretched arm pointing “forward,” is unveiled to thunderous applause. Then one day it points the other way. Once again, thunderous applause!
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A portrait of the ordinary life, passing time, routine and the contacts between characters.
Cook, Mug, Cook!
The story turns on a small deception - since they were married, instead of the real thing, the wife has always made Chicory (a cheap substitute for Coffee) for her husband. He never catches on to the deception. For him, the slush tastes better than the best Coffee.
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In the beginning there was a hand, and this hand drew other hands, then shoulders, heads, legs and finally, the animator himself. Inspired by a wide range of works of art and styles of illustration, this is a film which is constantly reinventing itself in one continual motion - after all, to draw a "still life" would be like creating an image without life.
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On the front lines of the Great War, nurse Simon repairs the broken faces of the soldiers every day with love letters, words from women that have the power to heal the wounds of these paper soldiers. Simon himself seems impervious to holes, uncreasable, untearable in his white coat. His secret is his war godmother, who occupies all his thoughts whenever he has a moment to breathe. But when death strikes where it is least expected, can words written on paper still erase the pain?
