The Ace of Clubs

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

Lightning Carson's nephew has been falsely accused of murder. To get in with the gang, Lightning poses as a Mexican. He also appears as himself making his costume changes at his sister's ranch. Just as he about to bring in the gang, a henchman finds evidence of his masquerade and arrives to expose the hoax.

On the run after committing murder, an accountant encounters a strange Native American man who prepares him for his journey into the spiritual world.

The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.

After arriving at his new, remote Army outpost, Capt. John Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide – a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.

A cowboy investigating his brother's murder finds himself going up against a banker who holds the deed to the cowboy's family ranch.

One man wants to control all the land in the state to graze all his cattle. His band of outlaws are raiding ranchers and homesteaders, trying to drive them out. Rocky and Fuzzy are brought in to help stop the raiders and keep the land for the small ranchers and homesteaders.

Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.

Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.

U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections.

After a card shark is caught cheating, he is taken out and lynched by the drunkards he was playing against. Soon afterwards, the men who were in the lynch mob start being murdered, one after another; all by hanging.

This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners - Andy Clyde, Jay Kirby and Russ Wade - ride into Rockford and innocently takes jobs with Tug Wilson and his tough crew of line riders, who are in cahoots with Yeager in a big land swindle scheme.

Gold miner Edd Denmeade loves Lucy Watson, the sister of the official mining claim recorder. Denmeade suspects Watson of killing his father, who after a poker game was shot by a gambler "who shuffles with one hand." The real murderer, Sam Spralls, has convinced Watson that he killed Denmeade and threatens to expose him unless Watson assigns him all the gold claims. Spralls assembles a band of killers to jump the claims when Watson complies. Eventually, Denmeade learns the identity of the killer when he sees Spralls shuffle a deck of cards. He forms a vigilante party and rids the community of Spralls and his gang.

In this western, a cowpoke gets in an argument; a scuffle ensues leaving the cowboy to believe that he killed his opponent. He is so wracked with guilt that he travels to the ranch of the dead man's sister, gives himself a new name and begins helping her. Rustlers come; he stops them. Trouble ensues after she learns his true identity. A scuffle ensues. She wings him with a gun; he disarms her. Later she hears the real murderer bragging about his crime during a fight with the hero.

Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.

When a Chinese rebel murders Chon's estranged father and escapes to England, Chon and Roy make their way to London with revenge on their minds.

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.

After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.

In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.