The Simplicity of Two Lives Between the Riot of the World

In the foundation of the culture of Japanese MANGA and animation, there lies the humor filled art form, shunga. Shunga is a type of Japanese art by famous ukiyo-e artists of the Edo Period, such as Utamaro, Hokusai, and Kiyonaga, but the artform’s development was thwarted by social norms that tabooed sex. The film Introduces the world of shunga through enthusiasts - collectors, curators, and scholars, including Andrew Gerstle who inspired The British Museum’s historical shunga exhibition in 2013 and Michael Fornitz who owns an auction house in Denmark. Exploring the significance of shunga by analyzing it from historical, cultural, artistic and contemporary female points of view.

The passing time is displayed as a series of still frames, or a rapid sequence of moments, ever flowing like the waves that break on the shore, like a repeated chant with no beginning, middle or end.

Maurice is an aging veteran actor who becomes taken with Jessie, the grandniece of his closest friend. When Maurice tries to soften the petulant and provincial young girl with the benefit of his wisdom and London culture, their give-and-take surprises both Maurice and Jessie as they discover what they don't know about themselves.

A documentary on the life and career of filmmaker Edward D. Wood Jr., with clips from his films and interviews with the cast and crews of some of his films.

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

Video letter directed by Anne-Marie Faux on the occasion of the 20th anniversary of the Côté Court Short Film Festival.

A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.

Frank Sinatra: In Concert at the Royal Festival Hall was an CBS musical television special starring Frank Sinatra broadcast on February 4, 1971, of a concert given by Sinatra at London's Royal Festival Hall on November 16, 1970. The special was directed by Bill Miller, and produced by Harold Davison. Sinatra was introduced on stage by Grace Kelly. Kelly had starred alongside Sinatra in the 1956 film High Society, the last film she made before her marriage to Rainier III, Prince of Monaco. Sinatra had been follicularly challenged for many years, hence all the hats in publicity stills, album covers etc. TV directors were forbidden to photograph him from the back because of this. However, at this concert, Sinatra had completed a very successful hair transplant and deliberately turned his back on the main audience a couple of times to acknowledge the audience sitting backstage, along with running his hand over the back of his head to draw attention to his new coiffure.

Click for full movie details & trailers.

It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.

Art, auctions, huge valuations of individual works, a market full of enigmas. The inaccessibility of the art world and its business mechanisms, incomprehensible to many, have always worked on the imagination. However, the incredible growth of interest in buying art in Poland over the past few means that the curtain of mysticism must be slowly falling. A look at the Polish art market, which with the political transformation has changed from a marginal and obscure curio to a modern, professional machine, opening for some artists of the youngest generation the gates of success inaccessible to their predecessors.

"In the shade of fallen chinar" is a short documentary that was shot in kashmir valley a few days before the current unrest began, It takes a peep into the lives of a group of young kashmiri artist's who are also University students. It talks about the factors that inspires their art and how it takes the form of resistance in a conflict ridden Valley.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

Sara, A positive girl who can't speak(dumb) and A lonely boy without hope in life accidentally meets and talks through a diary.

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.