The Archive Project

'25' are two unknown, indie songwriters in a bare bones studio on a train in the industrial West of Melbourne - Australia’s music capital. They plan to write, record then release a fresh song every two weeks of the year. Cath loves pop; Nick loves garage rock. She wants jazz flute; he wants a dirty guitar. Is this ever going to work or are they totally deluded? Is it an impossible goal?

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.

A documentary on the making of The Amazing Spider-Man 2 (2014), featuring interviews with the cast and crew, as well as behind-the-scenes footage.

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The order comes in the summer of 1941 from Propaganda Minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is retraced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards – that is the plan. Only in 1943, the first production is completed: “Armer Hansi”, a 17-minute-long colour movie, realized with the effortful multiplane technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, live action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the Third Reich.

A year in the life of troubled Australian graffiti artist Justin Hughes.

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

Victorian Queens takes a deep dive into the weird, wonderful and utterly unique landscape of Melbourne's drag community.

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

Aki's Imagination is imbued through Tobu Himeo aka the Floating Girls. As a Japanese born Australian artist, Aki Yaguchi moulds her artwork around the interplay between her heritage and being a women within a male dominated space.

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A fascinating time capsule revealing the naked truth about male strippers in 1980s Australia. They bare all with savage honesty about why they do it and who they really are.

Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.

Australian writer Wongar lives a secluded life taking care of his 6 dingoes for which he believes embody the spirits of his tragically lost Aboriginal family.

In the 1800s, brickmaking was one of the largest manufacturing industries in Australia. Hoffman's Brickworks in Brunswick, Victoria, was a leader of this industry, running for 133 years and fostering a strong union. Indeed Hoffman's was the birthplace of the Brickmaker's Union in Victoria. In this film, director Grant Hobson covers the final week of operation of this historic site, in December 1993. He interviews the union representatives and the close family of workers, some of whom he is able to reunite in May 2010 on the site. It is a nostalgic reflection on the heyday and demise of brickmaking in Victoria, as well as capturing the colourful personalities that illustrate the post-war migrant experience in relation to work and settling in Melbourne.

While attempting to record life as it was, Arthur unintentionally documents his family’s unraveling.

“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.

A look at Kevin Smith's life and career from his childhood in New Jersey, to the day they cemented his footprints at the world famous TCL Chinese Theater, with a flock of famous folks testifying on Silent Bob's behalf!

Superfan David Whiteley celebrates the unsung British heroes behind the first film in the Star Wars’ franchise, 1977’s eponymously titled Star Wars. The Star Wars saga ends with the release of The Rise of Skywalker in December 2019. This documentary celebrates where it all began. It includes previously unheard stories from the people who made one of the most successful movies of all time, with additional interviews and previously unseen behind-the-scenes footage. The presenter, Star Wars superfan David Whiteley, who has his own connection to the original film (he was born on May the 4th), tracks down the often modest British talent who brought the galaxy to life. David explores the contribution of the London Symphony Orchestra and meets Ann Skinner, who was in charge of continuity. As well as seeing her original stills from the set, Ann reveals how she helped Sir Alec Guinness with one of the most famous speeches in Star Wars.