Nuclear Nightmares

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

With the Doomsday Clock the closest it's ever been to midnight, Jane Corbin investigates the proliferation of nuclear weapons across the globe. She visits Los Alamos, home to the United States’ nuclear weapons development facility and the historic home of Oppenheimer’s Manhattan Project. In Scotland, she reveals the strategy behind Britain’s nuclear deterrent, and speaks to campaigners in Suffolk fighting against US weapons they fear will be based on UK soil. Jane also discovers how many of the global agreements and safeguards that have constrained the spread of nuclear weapons since the 1970s are breaking down. This is a story told by the scientists, investigators and diplomats who set the clock and have fought to ensure that the ultimate deterrent has not been used in over 70 years.

This film is a factual and chronological account of the events preceding the atomic bombing of Hiroshima during World War II and the significant effect of the atomic bomb on peacetime projects and events of the atomic age.

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

How the Soviet Union was able to copy the Boeing B-29 Superfortress bomber, and the influence of the resulting Tupolev TU-4 on the Cold War.

Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack. The narrative emphasizes the need for individuals to take responsibility for their safety and community in the event of an attack, blending factual information with a call to action.

13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape to the West becomes more dangerous every day. But on September 14, 1962, exactly one year, one month and one day after the Wall was built, a group of 29 people from the GDR managed to escape spectacularly through a 135-meter tunnel to the West. For more than 4 months, students from West Berlin, including 2 Italians, dug this tunnel. When the tunnel builders ran out of money after only a few meters of digging, they came up with the idea of marketing the escape tunnel. They sell the film rights to the story exclusively to NBC, an American television station.

Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.

The film features a meeting led by Dave Taylor, the shelter manager, discussing the protocols and responsibilities for staff members involved in managing a public shelter. Key participants, including operations deputy Harvey Johnson and health leader Mrs. Carter, outline their roles in ensuring a smooth entry for occupants during an emergency. The meeting emphasizes the importance of organization, communication, and the distribution of supplies. Staff members are encouraged to familiarize themselves with each other's duties and prepare for potential scenarios, including managing newcomers and ensuring safety and sanitation within the shelter.

A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.

A training film for public shelter managers explaining when people should be allowed to leave the shelter after a disaster.

A man named Walt who has recently completed building a fallout shelter in his home, a project initiated due to the threat of nuclear war during the Cold War era. Walt demonstrates to his friends the multi-functionality of the shelter, which can also serve as a darkroom, an extra bedroom, or a safe space during tornadoes. He explains the construction process in detail, emphasizing the need for precise measurements, proper leveling, and the use of concrete blocks for radiation protection. The shelter includes a stock of essentials like a radio, batteries, and a fire extinguisher. Walt’s narrative is interspersed with advice on obtaining official bulletins for guidance and the importance of building shelters correctly. The film concludes with a message from the Director of the Office of Civil and Defense Mobilization, advocating for the construction of family fallout shelters across America as a means of personal safety and national security in the nuclear age.

Training film for shelter managers. Food, water, sanitation, medical, and radiation detection systems are explained.

This Cold War film "Information Within Public Shelters" (1953) takes place in a fallout shelter, showing how a well-trained staff that provides information to shelter occupants, can keep them busy and calm during nuclear armageddon. This film was produced as the U.S. Government began to shift from promoting privately-owned "family" fallout shelters to the concept of large, public shelters.

Created in 1963 at the height of the Cold War, this Civil Defense training film uses a dramatic premise to show how emergency staff should manage and organize a large public fallout shelter during a crisis. A Shelter Manager is shown immediately taking control of the situation in the shelter, speaking calmly to those who have made it into the facility, closing the door promptly once the shelter is full, and sticking to the "shelter plan" as the situation unfolds. Some of the areas discussed in this nuclear war drama are the safety plan, regular inspections, supervised public entry into shelters, ventilation, first aid, sanitation, fire prevention, decontamination of personnel, and more. "Shelter living is different," the Manager states, "But we have a trained staff that will make your stay in this shelter livable for us all."

A heavily dramatized Civil Defense film that demonstrates how a public fallout shelter is supposed to function after a nuclear attack. This scenario takes place in a fictional any town called "Middlebury". The film describes the situation in a public shelter in Middlebury following an attack on the United States.

In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. (Storyville)

Tensions between the USSR and the United States were high in 1959, with the seemingly constant threat of nuclear war. Then some unlikely ambassadors stepped forward to clear all that away: the Harlem Globetrotters. From Harlem With Love is the story of how a group of barnstorming basketball players traveled to the heart of the Soviet Union at the height of the Cold War and bridged a cultural gap many thought would stand forever.

The American Southwest holds a dark legacy as the place where nuclear weapons were invented and built. Navajo people have long held this place sacred, and continue to fight for a future that transcends historical trauma. This is their story.

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.