The Last of the First
Overview
The Harlem Blues & Jazz Band during its sunset years: 87-year-old Al Casey, who had worked closely with Fats Waller throughout the 1930s; guitarist Lawrence Lucie, 95 years young, from the bands of Louis Armstrong, Benny Carter and Duke Ellington; saxophonist Bubba Brooks, 79, who was with Bill Doggett; Edwin Swanston, 80, pianist with Louis Armstrong's Orchestra; 91-year-old drummer Johnny Blowers, ex-Bunny Berigan, Billie Holiday and Frank Sinatra; Ivan Rolle, 85, bassist with Jonah Jones; and 88-year-old Laurel Watson, one-time vocalist with Duke Ellington and Count Basie. Baron's cameras record the musicians through their tours and concerts, capturing their joy in performing together. A celebration of the jazz spirit.
Top Cast
Albert Vollmer
himself
Joey Morant
himself
Bobby Pring
himself
Bubba Brooks
himself
Edwin Swanston
himself
Al Casey
himself
Lawrence Lucie
himself
Alex Layne
himself
John G. Blowers, Jr.
himself
Ivan 'Loco' Rolle
himself
Calvin Lynch
himself
Laurel Watson
herself
Key Film Crew
Production Stats
You May Also Like

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Daybreak Express

Black women had extremely limited options during Jim Crow. Odessa’s story explores how an African American woman born in a time with limited options leveraged her incredible mind and quick wit to become wealthier than she ever should have been able to This film takes a look at choices that were made, a wild ride Odessa had as an underworld queen, and consequences from her choices Odessa Madre’s life was a mix of resilience and bookend by the vicissitudes of luck, a contrast of economic success within
Odessa's Reign
Documentary exploring the meaning and history of cool through the American music that started in the 1940s in the bars of New York and LA, and became known as cool jazz.
Cool

During the summer of 1980, the American jazz concert pianist Kazzrie Jaxen writes a 16 pages long letter to director Ingmar Bergman. His film 'From the Life of the Marionettes' have sent her on a dramatic inner journey, making her realize that she is not alone in her own body.
Dear Director

Three basketball players step onto the court, each with a rhythm of their own. As their movements are studied and reimagined, their game is then recontextualized into jazz, revealing the artistry within sport and the music hidden in motion.
LIVE at the Court

All You Can Eat is a brief yet captivating short film that highlights the hungry moments shared between Brylee and his partner as they enjoy a sushi date together at Trapper's Sushi.
All You Can Eat

The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.











