Dead Times

A vintage nature film exploring the migratory pattern of a herd of wild creatures.

On the back staircases of a residential building, girls smoke hidden from their parents. They take off their clothes to prevent being denounced by the smell of smoke. Cora is 30 years old. She lives in the same building as the girls, and is stuck in an unhappy marriage. The woman catches the girls smoking. From then on, she begins her path towards freedom.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Set in Remies, France in 1941 during World War II, a Jewish man tries to escape Nazi persecution and a chance encounter with a woman sitting next to him on the train. Based on a true story.

An animation work that expresses people who support their lives as Kuroko, otherwise known as stagehands.

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Carlos Meléndez is unemployed, and finding himself without basic services such as gas, water and electricity. For twelve hours, he will have to endure and battle against the various ills of a congested city - bureaucratic secretaries of ill will, punk criminals, policemen, among others- in order to seek the respect of his peers.

An unassuming woman meets a teenage boy's grief-stricken music teacher while sitting in a hospital waiting room.

A film about a girl drawn to a golf course.

One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.

A family living in a country at war spends the night together. Their conversations revolve around the everyday and survival.

Cody is a recovering opiate addict in rural Ohio, 45 days clean and enlisted in a strictly enforced drug court programme by the county government. Local sober-living facilities are full, so Cody is living in his car on the outskirts of town and working at the nearby lumber mill to save money and keep busy. But his past doesn't want to forget him.

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Nine year-old Thomas spends most of his days at the flea market closely observing the Wheeling's and dealings of the market's sellers . His desire to be one of them leads him to embark on a one-night adventure that overwhelms him.

The protagonists of this surreal drama are seated at the kitchen table arguing over a broken biscuit. Evan Rude (voiced by Bruce Currie) resembles a medieval knight with a propeller head, Ropeshair (voiced by John E Hughes AKA Hobart Hughes) has a head that is a cross between a football and an African sculpture. Each figure sees a fish – supposedly the protagonists’ dinner – circling in space. Inside the biscuit, a hardworking ant works for a 'crust’ to feed his family.

A parody version of the famous book by Charles Darwin. For adults.

A boy and his ghost friend go to see a movie.

An inconsolable father mourns his sons' disinterest in family tradition but nepotism proves to be thicker than blood.

The Aletsch Glacier is the longest and largest glacier of the Alps. According to glaciologists, most glaciers will have disappeared by the end of this century, and only bits of the Aletsch will remain. Through a journey into the body of the glacier the film offers a compelling and unsettling visual experience in which our perception of the nature of the images we see, scale and temporality are questioned.

Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.